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Review of Me Time (2022)

By Teo Bugbee (199) for The New York Times (9,847) on 25 Aug 2022

There is a flatness that feels apparent in every shot — and not just because the movie is filmed in bright, low contrast lighting…

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Review of Me Time (2022)

By Teo Bugbee (199) for The New York Times (9,847) on 25 Aug 2022

There is a flatness that feels apparent in every shot — and not just because the movie is filmed in bright, low contrast lighting…

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Review of Samaritan (2022)

By John Nugent (191) for Empire (3,446) on 25 Aug 2022

In a crowded marketplace, new superhero movies need a lot to stand out; despite some solid work from Sylvester Stallone, it’s not really…

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Review of Three Thousand Years of Longing (2022)

By Ross Bonaime (185) for Collider (1,032) on 25 Aug 2022

Miller’s modern fairly tale is full of beauty, love, and care, even if the film often focuses on the grand instead of the modest moments…

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Review of Samaritan (2022)

By Siddhant Adlakha (174) for IGN (1,013) on 25 Aug 2022

Sylvester Stallone doesn’t seem thrilled to be playing a superhero in Samaritan, a hodgepodge of non-ideas borrowed from better movies…

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Review of Samaritan (2022)

By Pat Brown (171) for Slant Magazine (8,298) on 25 Aug 2022

Perhaps the fairest description of Stallone’s performance is that it’s only as one-note as the material, his stern tough-guy muttering…

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Review of Adopting Audrey (2022)

By Angie Han (120) for The Hollywood Reporter (7,050) on 25 Aug 2022

If Porcupine doesn’t cut as deeply as it could, it’s still an intriguing window into the lives of two characters who, thanks to Cahill’s…

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Review of Samaritan (2022)

By Brett Buckalew (107) for The A.V. Club (5,644) on 25 Aug 2022

It’s both ironic and fitting that while Samaritan positions itself as fresh territory for the actor, it’s only entertaining once it belatedly…

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Review of Three Thousand Years of Longing (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 25 Aug 2022

Three Thousand Years Of Longing unfortunately undercuts its own effectiveness as a singular piece, presenting less as a unified vision of an…

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Review of Me Time (2022)

By Chase Hutchinson (96) for Collider (1,032) on 25 Aug 2022

Me Time just goes through the motions of a wacky comedy without any of the actually funny components…

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Review of Me Time (2022)

By Chase Hutchinson (96) for Collider (1,032) on 25 Aug 2022

Me Time just goes through the motions of a wacky comedy without any of the actually funny components…

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Review of Samaritan (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 25 Aug 2022

Samaritan had the potential to stand out among a crowded pack with Sylvester Stallone as a veteran superhero drawn out of retirement, but it…

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Review of Good Luck to You, Leo Grande (2022)

By Duncan1964 (89) on 25 Aug 2022

It may not be that cinematic, but Good Luck To You, Leo Grandeis a whip smart two hander with outstanding performances and a funny and moving…

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Review of Notorious (1946)

By All_Buttru4 (86) on 25 Aug 2022

This film fell short for me. Lauded as a masterful thriller it plays like a scattered and rushed love story…

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Review of The Next 365 Days (2022)

By Arostislavna (78) on 25 Aug 2022

This film series still has an awful soundtrack, but maybe just slightly…

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Review of Adieu Godard (2022)

By Devika Girish (70) for The New York Times (9,847) on 25 Aug 2022

It’s a film-school pastiche of the French director’s style, with none of the forward-thinking intellectual curiosity of his movies…

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Review of Three Thousand Years of Longing (2022)

By Liz Shannon Miller (69) for Consequence (296) on 25 Aug 2022

It makes for a deeply unconventional sort of fairy tale, but this is George Miller we’re talking about. What else did we expect…

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Review of Alienoid (2022)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 25 Aug 2022

The movie is bursting at the seams, as if Choi, in his first outing since the 2015 historical action drama “Assassination,” was drunk on…

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Review of Odd Thomas (2013)

By Deralac (32) on 25 Aug 2022

This movie has an interesting story, it’s well written and the acting is solid. Time well spent…

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Review of Riotsville, USA (2022)

By Warren Cantrell (31) for The Playlist (3,871) on 25 Aug 2022

Somewhat ironically, like the social unrest that underpins much of the footage featured in Riotsville, U.S.A., the documentary is well-intentioned…

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