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Review of Love in the Villa (2022)

By Courtney Howard (393) for Variety (12,700) on 01 Sep 2022

Love in the Villa’s building blocks may be as phony and manufactured as that balcony, but romantics will assuredly see and feel that the…

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Review of Ava (2018)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 01 Sep 2022

The film's bitter exposé of life under a theocracy is unforgettable…

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Review of Ava (2018)

By Christopher Machell (333) for CineVue (2,163) on 01 Sep 2022

Ava is a singular vision marking Foroughi as a talent to watch…

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Review of White Noise (2022)

By John Bleasdale (289) for CineVue (2,163) on 01 Sep 2022

This could be seen as a smug, empty exercise in satirical excoriation – and as a smug, empty exercise in satirical excoriation, it’d be…

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Review of White Noise (2022)

By John Bleasdale (289) for CineVue (2,163) on 01 Sep 2022

This could be seen as a smug, empty exercise in satirical excoriation – and as a smug, empty exercise in satirical excoriation, it’d be…

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Review of Dos estaciones (2022)

By Carlos Aguilar (278) for IndieWire (3,631) on 01 Sep 2022

González’s fiction is so indelibly tied to the reality of the place and its inebriating spirit that certain segments of the film (particularly…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 01 Sep 2022

Throughout the film’s warranted nearly-three-hour runtime, Iñárritu writes the cinematic verses of an oneiric love poem to an ever-incongruous…

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Review of Three Thousand Years of Longing (2022)

By Clarisse Loughrey (259) for The Independent (259) on 01 Sep 2022

What’s surprising is that, though Miller’s imagination remains entirely untarnished, Three Thousand Years of Longing stands in defiance…

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Review of The Forgiven (2022)

By Clarisse Loughrey (259) for The Independent (259) on 01 Sep 2022

It’s obvious why this cast were attracted to The Forgiven – an actor’s most thrilling challenge is to find the brokenness hidden in between…

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Review of Waiting for Bojangles (2021)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 01 Sep 2022

Formally, Waiting for Bojangles looks marvelous, with Roinsard artfully weaving through throngs of partygoers placed in vibrant, lived-in spaces…

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Review of Waiting for Bojangles (2021)

By Calum Marsh (242) for The New York Times (9,847) on 01 Sep 2022

The infectious brio at the heart of “Bojangles” is a testament to the performances of the ensemble cast, but especially Duris and Efira,…

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Review of Ava (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 01 Sep 2022

Ava’s rebellion is against more than her parents’ mistrust; it’s about the cage of societal norms in Iran that stifles female creativity…

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Review of Miss Congeniality 2: Armed and Fabulous (2005)

By Dostoyevsky3 (164) on 01 Sep 2022

Miss Congeniality: Armed and fabulous has better dialogue that can make up for its sequel shortcomings…

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Review of Miss Congeniality (2000)

By Dostoyevsky3 (164) on 01 Sep 2022

Miss Congeniality is genius in its fashionable concept and a humorous execution that makes up for its writing…

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Review of TÁR (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 01 Sep 2022

TÁR is an effort of tremendous skill and restraint, beginning with a confidence bordering on arrogance and building to a brilliant crescendo—only…

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Review of Our American Family (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 01 Sep 2022

Addiction is a complex, challenging topic, and Our American Family, in its sharp specificity, handles it with grace…

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Review of Burial (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 01 Sep 2022

Despite Parker’s apt depictions of the atrocities of war, including but not limited to misogyny, harassment, abuse of power, and crimes committed…

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Review of Burial (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 01 Sep 2022

Despite Parker’s apt depictions of the atrocities of war, including but not limited to misogyny, harassment, abuse of power, and crimes committed…

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Review of Burial (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 01 Sep 2022

Despite Parker’s apt depictions of the atrocities of war, including but not limited to misogyny, harassment, abuse of power, and crimes committed…

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Review of Tau (2018)

By Sebastianali (134) on 01 Sep 2022

One of the most absurd movies I've seen in recent times…

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Page 1,455 of 258,691

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