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Review of The Eternal Daughter (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 06 Sep 2022

In the end, it plays a little too often like an academic pastiche of horror tropes even though its emotional core rings with resonance…

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Review of Peter von Kant (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Sep 2022

François Ozon's Peter von Kant is an odd, chilly film, even by this director's standards…

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Review of The Score (2022)

By Cath Clarke (570) for The Guardian (2,969) on 06 Sep 2022

The movie noodles along amiably, but in the cold light of day, its quirks begin to feel like flaws…

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Review of The Score (2022)

By Cath Clarke (570) for The Guardian (2,969) on 06 Sep 2022

The movie noodles along amiably, but in the cold light of day, its quirks begin to feel like flaws…

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Review of Red Dawn (1984)

By Voodoo123 (536) on 06 Sep 2022

The great cast and premise are squandered by the limited battle choreography and screenplay that fail to build any kind of tension instead…

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Review of The Score (2022)

By Anna Smith (519) for Time Out (7,510) on 06 Sep 2022

The Score doesn’t always strike the right notes, but it has its high points thanks to a simple, rewarding romantic arc…

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Review of The Score (2022)

By Anna Smith (519) for Time Out (7,510) on 06 Sep 2022

The Score doesn’t always strike the right notes, but it has its high points thanks to a simple, rewarding romantic arc…

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Review of We Are As Gods (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 06 Sep 2022

We Are as Gods works best as a history lesson as seen through one man's journey: from Haight-Ashbury bacchanals to early computer labs to the…

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Review of The Eternal Daughter (2022)

By Tomris Laffly (460) for The Playlist (3,871) on 06 Sep 2022

While The Eternal Daughter manages to sell a truly spine-tingling atmosphere of ghosts, it feels closer to a thought and style experiment in…

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Review of Orphan: First Kill (2022)

By Ginak (385) on 06 Sep 2022

A great way to spend a muggy summer afternoon, especially for horror film buffs. The cast was excellent and completely believable…

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Review of The Eternal Daughter (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Sep 2022

The Eternal Daughter is at its most poignant when it plunges into the personal – in Swinton’s retreating mother and faltering daughter,…

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Review of Honk for Jesus. Save Your Soul. (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 06 Sep 2022

Honk for Jesus is a fine, often funny movie about the moral hypocrisy of the church and an even better movie about a woman forced to endure…

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Review of Don't Worry Darling (2022)

By John Bleasdale (289) for CineVue (2,163) on 06 Sep 2022

Wilde has already proven herself as a director with her brilliant debut…

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Review of The Banshees of Inisherin (2022)

By John Bleasdale (289) for CineVue (2,163) on 06 Sep 2022

The Banshees of Inisherin is a beautifully-shot and deftly-played comedy. It is at once masterful, surprisingly poignant, and profound…

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Review of The Whale (2022)

By John Bleasdale (289) for CineVue (2,163) on 06 Sep 2022

Alongside The Wrestler, The Whale is Aronofsky at his most compassionate. It’s a gargantuan invitation to empathy and understanding…

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Review of The Eternal Daughter (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 06 Sep 2022

After the youthful splendor of last year’s The Souvenir Part II, Hogg returns with a magnificent achievement of a more inconspicuous kind…

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Review of Burial (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 06 Sep 2022

As an exercise in suspense and genre mimesis, Burial is exceptional…

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Review of Burial (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 06 Sep 2022

As an exercise in suspense and genre mimesis, Burial is exceptional…

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Review of Burial (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 06 Sep 2022

As an exercise in suspense and genre mimesis, Burial is exceptional…

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Review of Don't Worry Darling (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 06 Sep 2022

Burdened with an underwritten part, the curiously flavourless Styles struggles to match Pugh for intensity as husband and wife fly at each…

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