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Review of Sirens (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 08 Sep 2022

Thought-provoking, beautifully edited and told, Sirens explores the band members’ relationship with each other, gender, and conformity in…

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Review of Sirens (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 08 Sep 2022

Thought-provoking, beautifully edited and told, Sirens explores the band members’ relationship with each other, gender, and conformity in…

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Review of Samaritan (2022)

By Bertobellamy (400) on 08 Sep 2022

Sylvester Stallone better go back to the 'Creed' universe, because his try at being a superhero couldn't have been more generic and subpar,…

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Review of Pinocchio (2022)

By Nick Allen (397) for The Playlist (3,871) on 08 Sep 2022

Another lifeless live-action adaptation from the factory that’s inside the Disney vault…

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Review of Pinocchio (2024)

By Nick Allen (397) for The Playlist (3,871) on 08 Sep 2022

Another lifeless live-action adaptation from the factory that’s inside the Disney vault…

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Review of Brahmāstra Part One: Shiva (2022)

By Courtney Howard (393) for Variety (12,700) on 08 Sep 2022

Leads Kapoor and Bhatt have an excess of charm and style that leaps off the screen and grabs your heart…

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Review of Pinocchio (2022)

By Metacriticonur (388) on 08 Sep 2022

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Pinocchio (2024)

By Metacriticonur (388) on 08 Sep 2022

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Blonde (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 08 Sep 2022

Technically-skilled, well-acted and fatally over-long, it’s hard not to see Blonde as a chronicle of exploitation and abuse which merrily…

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Review of Pinocchio (2022)

By Andrew Barker (315) for Variety (12,700) on 08 Sep 2022

Roping a game Tom Hanks into the fold as the kindly woodworker Geppetto, and employing countless digital artisans to recreate the iconic character…

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Review of Clerks III (2022)

By Andrew Barker (315) for Variety (12,700) on 08 Sep 2022

Is this all wildly self-indulgent? A bit. Does it feel like the product of a filmmaker with plenty of fresh ideas? Not really…

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Review of Pinocchio (2024)

By Andrew Barker (315) for Variety (12,700) on 08 Sep 2022

Roping a game Tom Hanks into the fold as the kindly woodworker Geppetto, and employing countless digital artisans to recreate the iconic character…

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Review of Sirens (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 08 Sep 2022

Wanting more is a criticism, but it’s a luxury criticism. This documentary builds a world you want to explore further…

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Review of Sirens (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 08 Sep 2022

Wanting more is a criticism, but it’s a luxury criticism. This documentary builds a world you want to explore further…

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Review of Sirens (2022)

By Clint Worthington (295) for Consequence (296) on 08 Sep 2022

For as choppy as Sirens can be in its too-short 78-minute runtime, it’s easy to chalk that up to the difficulties of filming during COVID…

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Review of Sirens (2022)

By Clint Worthington (295) for Consequence (296) on 08 Sep 2022

For as choppy as Sirens can be in its too-short 78-minute runtime, it’s easy to chalk that up to the difficulties of filming during COVID…

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Review of The Eternal Daughter (2022)

By John Bleasdale (289) for CineVue (2,163) on 08 Sep 2022

The Eternal Daughter is very much a minor film for Hogg: a small chamber piece which could be watched as amusing marginalia to The Souvenir…

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Review of Pinocchio (2022)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 08 Sep 2022

Zemeckis’ Pinocchio prompts one to wish upon a star that Disney would stop diluting the legacy of its beloved animated features with these…

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Review of Pinocchio (2024)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 08 Sep 2022

Zemeckis’ Pinocchio prompts one to wish upon a star that Disney would stop diluting the legacy of its beloved animated features with these…

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Review of Blonde (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 08 Sep 2022

For all its freedom to reimagine her life and rescue her from cultural victimhood, Blonde is just a bit too willing to chuck her overboard…

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Page 1,422 of 258,691

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