Browse Movie Reviews - Page 1,392 of 258,691

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Review of A Jazzman's Blues (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 14 Sep 2022

A Jazzman’s Blues is overindulgent, a narrative feast of twists and turns…

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Review of Zero Days (2016)

By Trailesque (112) on 14 Sep 2022

An excellent documentary that dives into the murky and complicated subject of the stuxnet computer virus that attacked iran's nuclear program…

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Review of The Silent Twins (2022)

By Rafael Motamayor (108) for Slashfilm (971) on 14 Sep 2022

Sadly, as creative as The Silent Twins is, and as much homework as the filmmakers clearly did in replicating the details of the story and the…

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Review of Wendell & Wild (2022)

By Rafael Motamayor (108) for IGN (1,013) on 14 Sep 2022

Henry Selick returns to our screens with Wendell & Wild, a new stop-motion nightmare that brings an edgier and darker tone, more mature subjects,…

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Review of The Menu (2022)

By Rafael Motamayor (108) for IGN (1,013) on 14 Sep 2022

The Menu is a hilariously wicked thriller about the world of high-end restaurants, featuring a stellar cast led by a phenomenal Ralph Fiennes,…

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Review of See How They Run (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 14 Sep 2022

Ultimately, See How They Run is too reverent to its forebears and too toothless in its satire to elevate beyond an overly self-aware genre…

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Review of Barbarian (2022)

By Jamess (104) on 14 Sep 2022

Barbarian can be viewed as a very competent house of horrors type horror film that shares some DNA with Don't Breathe, as it takes place in…

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Review of Wendell & Wild (2022)

By Chase Hutchinson (96) for Collider (1,032) on 14 Sep 2022

When it all comes together, Wendell & Wild ends up feeling liberating, both artistically and thematically, with top work from all involved…

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Review of Broker (2022)

By Chase Hutchinson (96) for Collider (1,032) on 14 Sep 2022

When it all comes together it proves to be yet another poetic and patient cinematic reflection on the families we build for ourselves from…

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Review of Ticket to Paradise (2022)

By Ella Kemp (95) for IndieWire (3,631) on 14 Sep 2022

Much of the charm of Ticket to Paradise comes from knowing exactly how this story will end — what would a good romantic comedy be without…

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Review of No Bears (2022)

By Ben Croll (93) for TheWrap (3,203) on 14 Sep 2022

If Panahi makes us understand Jafar, he also recognizes the rippling effect of his choices…

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Review of Catherine Called Birdy (2022)

By Ethan Vestby (87) for The Film Stage (3,162) on 14 Sep 2022

A safe film for a rebellious protagonist, even if still maintaining a warm, humanistic quality makes it not a total loss…

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Review of Ticket to Paradise (2022)

By Ben Travis (84) for Empire (3,446) on 14 Sep 2022

With Clooney and Roberts cranking up the charm, even the creakier elements of Ticket To Paradise are watchable…

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Review of The Whale (2022)

By Mark Hanson (70) for Slant Magazine (8,298) on 14 Sep 2022

With The Whale, Darren Aronofsky brings a hollow sense of dignity to his schematic brand of cinematic misery porn…

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Review of Ticket to Paradise (2022)

By Richard Kuipers (66) for Variety (12,700) on 14 Sep 2022

Looking and sounding like it could have been made 20 or 30 years ago, “Ticket” may not contain that much sparkling and sophisticated wit…

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Review of Catherine Called Birdy (2022)

By Adrian Horton (60) for The Guardian (2,969) on 14 Sep 2022

In Dunham’s hands, the throughline of enduring and discovering one’s worth, however historically imagined, is at once a comfort and a lark…

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Review of No Bears (2022)

By Sam C. Mac (54) for Slant Magazine (8,298) on 14 Sep 2022

No Bears generally spends less time finding aesthetic articulations of its themes than it does building out an increasingly convoluted plot…

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Review of Stand by Me (1986)

By Fartdouche (47) on 14 Sep 2022

This movie is perfect in every way. A movie about the values of friendship…

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Review of Wendell & Wild (2022)

By Esther Zuckerman (46) for Vanity Fair (761) on 14 Sep 2022

Even if Wendell and Wild, based on an unpublished novel Selick co-wrote, packs a little too much in, you can just sit back and enjoy the magic…

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Review of The Woman King (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 14 Sep 2022

It looks beautiful, the costumes are gorgeous, the fight scenes are terrific, and there is a nice bit of gore…

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