Browse Movie Reviews - Page 1,370 of 258,691

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Review of Sweetheart (2019)

By Matt Donato (975) for Slashfilm (971) on 17 Sep 2022

J.D. Dillard's Sweetheart is fierce aquatic horror without any frills…

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Review of Sweetheart (2019)

By Matt Donato (975) for Slashfilm (971) on 17 Sep 2022

J.D. Dillard's Sweetheart is fierce aquatic horror without any frills…

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Review of Master Gardener (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 17 Sep 2022

Joel Edgerton’s haunted central performance as former white supremacist Narvel Roth fits the essential Schrader mold of a troubled soul hiding…

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Review of Chevalier (2023)

By Jared Mobarak (867) for The Film Stage (3,162) on 17 Sep 2022

A stirring tribute to a man of many talents, Chevalier gorgeously gives a once-forgotten virtuoso violinist the cinematic treatment…

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Review of Minari (2021)

By Alejandro970 (859) on 17 Sep 2022

The search for the American dream and a better future, this time from the perspective of a Korean family…

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Review of Master Gardener (2023)

By Guy Lodge (731) for Variety (12,700) on 17 Sep 2022

Master Gardener is all fingers and thumbs for much of its running time, kept sporadically in order only by the stern, trusty presence of Edgerton…

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Review of Good Night Oppy (2022)

By Simon Abrams (730) for TheWrap (3,203) on 17 Sep 2022

Recreated footage of the rovers flying to, landing on, and carefully exploring the red planet tend to be the most engrossing material in White’s…

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Review of Chevalier (2023)

By Kate Erbland (681) for IndieWire (3,631) on 17 Sep 2022

Chevalier, despite its steadily devolving storytelling, is enjoyable and worthy of appreciation…

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Review of Master Gardener (2023)

By Richard Lawson (539) for Vanity Fair (761) on 17 Sep 2022

Much of Master Gardener is disarmingly placid…

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Review of Fatal Attraction (1987)

By Voodoo123 (536) on 17 Sep 2022

Compelling cinematography guides the superb cast through a carefully crafted screenplay filled with drama and thrills…

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Review of Raymond & Ray (2022)

By Tomris Laffly (460) for Variety (12,700) on 17 Sep 2022

Raymond & Ray is curiously alienating despite the two A-listers in the driver seat, some decent chuckles to spare and a handsome, cinematic…

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Review of Master Gardener (2023)

By Jonathan Romney (434) for Screen Daily (1,021) on 17 Sep 2022

For all the film’s provocations, both serious and mischievous, it’s a remarkably elegant, subtle piece…

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Review of The Iron Giant (1999)

By Gracjanski (417) on 17 Sep 2022

The movie has one problem: the story is so classic (ET for example), that I couldnt get into the movie…

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Review of The Piano (1993)

By Gracjanski (417) on 17 Sep 2022

Obviously I didnt like this movie, it is not only slow, but also the characters are boring, especially Ada, I didnt like her at all…

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Review of Goodnight Mommy (2022)

By Bertobellamy (400) on 17 Sep 2022

It could've been worse, but this is entirely unnecessary. A psychological horror film devoid of tension and perversity. Bland and boring…

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Review of The Woman King (2022)

By Royalguy07 (396) on 17 Sep 2022

A fun historical action epic, Viola is maybe a little too old for the role but the rest of the warriors carry and give some very respectable…

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Review of Chevalier (2023)

By Martin Tsai (390) for TheWrap (3,203) on 17 Sep 2022

While Chevalier is by no means terrible, it seems like such a huge missed opportunity for an important historical figure to have finally gotten…

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Review of God's Country (2022)

By Robert Daniels (336) for Los Angeles Times (12,977) on 17 Sep 2022

God’s Country is a film that wants to disarm you at every turn, and it often succeeds with a transfixing, acute spirit of retribution against…

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Review of Starman (1984)

By Kai82 (336) on 17 Sep 2022

A hidden science fiction gem and nearly forgotten John Carpenter movie. The unique ideas and story won me over…

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Review of Good Night Oppy (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 17 Sep 2022

Good Night Oppy is a lively celebration of unabashed nerdiness and enthusiastic problem-solving, the sort of movie that feels designed to attract…

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