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Review of God's Creatures (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 29 Sep 2022

God’s Creatures is ultimately a movie about the collision between a mother’s fidelity and her moral conscience, and Watson is terrific…

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Review of Argentina 1985 (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 29 Sep 2022

Cinema prizes a good man making history, but this story’s heroes are manifold…

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Review of Hocus Pocus 2 (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 29 Sep 2022

Recycled plot points, jaunts down memory lane and knowing winks at the broader fandom are rolled into the type of sleek CGI package that’s…

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Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Smile (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Smile (2023)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

Read Review

Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

Read Review

Review of SMILE (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Bros (2022)

By Thelma Adams (133) for Boston Globe (6,852) on 29 Sep 2022

The comedy is largely episodic and breezy, bolstered by strong support from Debra Messing, Amanda Bearse, Bowen Yang, Jim Rash, Kenan Thompson,…

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Review of Hocus Pocus 2 (2022)

By Ferdosa Abdi (130) for Screen Rant (892) on 29 Sep 2022

The story is simply a rehash of the first film, and even the jokes begin to fall flat well before the halfway point…

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Review of The Empty Man (2020)

By Jebjbo (115) on 29 Sep 2022

Great mystery thriller, melancholic atmosphere, an actually creepy entity, lovecraftian themes and story structure, great score…

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Review of Hocus Pocus 2 (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 29 Sep 2022

When there is no actual conflict, the film's already low stakes start to feel meaningless, and the characters' bumbling hijinks around town…

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Review of Girl Picture (2022)

By Ella Kemp (95) for Empire (3,446) on 29 Sep 2022

A small but effective portrait of adolescence in Scandinavia, unpretentious enough to avoid heavy-handed lessons, but not bold enough to become…

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Review of Mona Lisa and the Blood Moon (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 29 Sep 2022

The movie, more often than not, has the look and feel of an edgy music video, which wouldn’t necessarily be a problem if it weren’t also…

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Review of Hocus Pocus 2 (2022)

By Marshall Shaffer (93) for The Playlist (3,871) on 29 Sep 2022

Hocus Pocus fans wanted a new movie, but Disney just gave them a mascot appearance masquerading as a sequel instead…

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Review of The Munsters (2022)

By Ethan Vestby (87) for The Film Stage (3,162) on 29 Sep 2022

With little in the way of narrative outside a real-estate scam subplot, the company of its characters and Zombie’s formal verve are The Munsters‘…

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Review of Blonde (2022)

By All_Buttru4 (86) on 29 Sep 2022

A shameless exploitation of the tragic Marylin Monroe. This movie doesn't attempt to tell her story only sexualize it…

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Review of The Good House (2021)

By Rachel Labonte (78) for Screen Rant (892) on 29 Sep 2022

For all its more serious moments, The Good House actually feels a lot like comfort food…

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