Browse Movie Reviews - Page 1,266 of 258,691

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Review of Hellraiser (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 07 Oct 2022

The cleverest additions to the “Hellraiser” canon will only be apparent to established fans since the makers of the latest movie awkwardly…

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Review of Hellraiser (2022)

By Panchogul (602) on 07 Oct 2022

Que buen reinicio carajo, se respeta mucho la mitología de los cenobitas tanto de las películas como de los cómics, hay algunos guiños…

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Review of Triangle of Sadness (2022)

By Glenn Whipp (553) for Los Angeles Times (12,977) on 07 Oct 2022

Ruben Östlund’s Palme d’Or-winning social satire, Triangle of Sadness, is many things: a cautionary tale about the perils of slurping…

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Review of TÁR (2022)

By David Sims (534) for The Atlantic (1,046) on 07 Oct 2022

Every visual composition is meticulously arranged, and every surreal twist of imagery feels nuanced and earned…

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Review of Hellraiser (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 07 Oct 2022

It doesn’t always work, and at times it really really doesn’t, but it feels confident and unfettered in a way that so many horror films…

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Review of Triangle of Sadness (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 07 Oct 2022

It’s a stellar film that hits a rare sweet spot as both mainstream, accessible entertainment, and also an undeniably incisive piece of cultural…

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Review of Piggy (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 07 Oct 2022

Piggy (Cerdita in Spanish) has a slow-burn intensity that culminates in a superb ending and, though the film could have had tighter writing…

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Review of Vortex (2021)

By Bertobellamy (400) on 07 Oct 2022

Another stressful experiment by Gaspar Noé. 'Vortex' is a dramatic downward spiral of frustration and hopelessness…

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Review of Vortex (2022)

By Bertobellamy (400) on 07 Oct 2022

Another stressful experiment by Gaspar Noé. 'Vortex' is a dramatic downward spiral of frustration and hopelessness…

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Review of Piggy (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 07 Oct 2022

When it should be jostling us in one way or another, Piggy feels like it's just killing time…

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Review of Luckiest Girl Alive (2022)

By Courtney Howard (393) for Variety (12,700) on 07 Oct 2022

Because of its unwieldy aspects, primarily those shoe-horned into the climax, its simplistic conclusion draws ire instead of the inspired elation…

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Review of Project Wolf Hunting (2022)

By Michael Ordona (350) for Los Angeles Times (12,977) on 07 Oct 2022

No moment on this anything-but-love boat has the impact of, say, the seasickness sequence of “Triangle of Sadness,” but slaughter stans…

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Review of Monty Python and the Holy Grail (1975)

By Kai82 (336) on 07 Oct 2022

A cult classic and remarkable comedy. Monty Python were amazing and I liked the black humor, ideas and cast…

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Review of Last Flight Home (2022)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 07 Oct 2022

As proven in Ondi Timoner’s unbelievably personal, profoundly bittersweet, and occasionally disquieting documentary “Last Flight Home,”…

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Review of Amsterdam (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 07 Oct 2022

Cramming Amsterdam’s myriad subplots and political angles into a coherent two hours ultimately proves beyond Russell…

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Review of Triangle of Sadness (2022)

By Karen Gordon (174) for Original-Cin (1,156) on 07 Oct 2022

It’s a fantastic mix of the funny, the astute, the disturbing and the brainy in the very specific style of Östlund…

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Review of Emily the Criminal (2022)

By Unclewillard (169) on 07 Oct 2022

I was looking forward to this and it did not disappoint. Yes, I love Aubrey Plaza. Who doesn't…

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Review of Significant Other (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 07 Oct 2022

Significant Other does not reinvent the genre, but its narrative flourishes make for an exciting outing…

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Review of Luckiest Girl Alive (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 07 Oct 2022

Luckiest Girl Alive struggles to balance its dual aspirations: delivering an emotionally wrought tale about survival and wrapping its gravity…

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Review of Catherine Called Birdy (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 07 Oct 2022

Those living in Birdy’s fictional universe see her as an irascible (albeit endearing) nuisance, but in movie language, Birdy is a feminist…

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