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Review of Brainwashed: Sex-Camera-Power (2022)

By David Katz (41) for The Film Stage (3,162) on 10 Oct 2022

Criticism can be poetry, but in Brainwashed: Sex-Camera-Power it is definitely prose, reserving the expressiveness for her own oeuvre…

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Review of Bromates (2022)

By Brittany Witherspoon (39) for Screen Rant (892) on 10 Oct 2022

There’s an enormous effort to entertain, but Bromates runs out of ideas faster than it can provide organic laughs…

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Review of Sissy (2022)

By Brittany Witherspoon (39) for Screen Rant (892) on 10 Oct 2022

Sissy sacrifices its themes for violence and surface-level explorations of psychological realism, making it as frustrating as it is compulsively fun…

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Review of Sissy (2022)

By Brittany Witherspoon (39) for Screen Rant (892) on 10 Oct 2022

Sissy sacrifices its themes for violence and surface-level explorations of psychological realism, making it as frustrating as it is compulsively fun…

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Review of The Lost Boys (1987)

By Experiment626 (38) on 10 Oct 2022

Just watched in the theater last night. 80s nostalgia at its finest. Good story with a horror and comedy elements. The start of the Coreys…

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Review of The Visitor (2022)

By Graeme Guttmann (36) for Screen Rant (892) on 10 Oct 2022

As much as it tries to be a mash-up of several genres, it would've been much better had it picked one lane and leaned into it…

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Review of The Visitor (2022)

By Graeme Guttmann (36) for Screen Rant (892) on 10 Oct 2022

As much as it tries to be a mash-up of several genres, it would've been much better had it picked one lane and leaned into it…

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Review of The Visitor (2022)

By Graeme Guttmann (36) for Screen Rant (892) on 10 Oct 2022

As much as it tries to be a mash-up of several genres, it would've been much better had it picked one lane and leaned into it…

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Review of The visitor (2022)

By Graeme Guttmann (36) for Screen Rant (892) on 10 Oct 2022

As much as it tries to be a mash-up of several genres, it would've been much better had it picked one lane and leaned into it…

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Review of The Visitor (2022)

By Graeme Guttmann (36) for Screen Rant (892) on 10 Oct 2022

As much as it tries to be a mash-up of several genres, it would've been much better had it picked one lane and leaned into it…

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Review of Belfast (2021)

By Tommonday (33) on 10 Oct 2022

Just because Branagh based this on his early life doesn’t automatically mean he can translate those experiences into a compelling narrative…

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Review of Wolfwalkers (2020)

By Tommonday (33) on 10 Oct 2022

When you spend this much time on the animation, you should spend at least as much time on the script. Not so here…

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Review of Sissy (2022)

By Sumner Forbes (33) for Film Threat (5,156) on 10 Oct 2022

Sissy ultimately doesn’t break any new genre ground, but Barlow and Senes embrace these tropes rather than try to avoid them…

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Review of Sissy (2022)

By Sumner Forbes (33) for Film Threat (5,156) on 10 Oct 2022

Sissy ultimately doesn’t break any new genre ground, but Barlow and Senes embrace these tropes rather than try to avoid them…

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Review of Amsterdam (2022)

By Jaredc324 (31) on 10 Oct 2022

O Russel's audience expects too much and when they get something sub-part, they lack appreciation…

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Review of Sissy (2022)

By Stephen A. Russell (22) for Time Out (7,510) on 10 Oct 2022

It may not be the sharpest satire, but Barlow and Senes have a heap of wicked fun wielding the blunt trauma as Sissy takes a wild stab at everything…

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Review of Sissy (2022)

By Stephen A. Russell (22) for Time Out (7,510) on 10 Oct 2022

It may not be the sharpest satire, but Barlow and Senes have a heap of wicked fun wielding the blunt trauma as Sissy takes a wild stab at everything…

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Review of Enys Men (2023)

By Josh Wise (22) for Slant Magazine (8,298) on 10 Oct 2022

Enys Men might have been called A Blueprint for Revival: an attempt to restore to horror something that Jenkin feels has been lost…

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Review of Bros (2022)

By Joa1973 (19) on 10 Oct 2022

Trust me. Everyone this movie was made for, paid to see this movie. Every one of them…

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Review of Stowaway (2021)

By Magion (16) on 10 Oct 2022

The advantage of the film is its scientific precision. With one exception, when David Kim said he couldn't get used to artificial gravity…

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