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Review of Something in the Dirt (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 03 Nov 2022

For the first 90 minutes or so, there’s remarkable vibrancy and spontaneity to this picture, as its creators and stars seem to be coming…

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Review of Something in the Dirt (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 03 Nov 2022

Overlong and overwritten, “Dirt” nevertheless unfolds with an enjoyably comic quirkiness, a tale of two doofuses who sought meaning in…

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Review of Holy Spider (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 03 Nov 2022

The story does build, in its second act, to an unsettlingly persuasive indictment of a society that teaches even its youngest members to hate,…

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Review of Weird: The Al Yankovic Story (2022)

By Dana Stevens (1,435) for Slate (2,081) on 03 Nov 2022

Though it wears out its welcome in one dreary stretch midway through, Weird: The Al Yankovic Story (which premieres on the free, ad-supported…

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Review of The Independent (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 03 Nov 2022

An undercooked serving of political skulduggery that nevertheless provides a showcase for the magnetic Jodie Turner-Smith…

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Review of Good Night Oppy (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 03 Nov 2022

Despite the somewhat bland nature of the storytelling — it’s not like this documentary is pushing the boundaries of the form — it’s…

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Review of Selena Gomez: My Mind & Me (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 03 Nov 2022

What comes through loud and clear in “My Mind & Me” is Gomez using the film to declare her priorities, and her carefully controlled revelations…

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Review of You Resemble Me (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2022

Amer’s fraught but noble intent has resulted in a fraught but noble film; a volatile, urgent debut that’s semi-effective kaleidoscopic…

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Review of Selena Gomez: My Mind & Me (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2022

It’s not a movie about healing so much as a movie about learning to hurt in the healthiest way possible…

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Review of Next Exit (2022)

By Brent Simon (1,142) for The A.V. Club (5,644) on 03 Nov 2022

In the end, one’s assessment and enjoyment of Next Exit rests less in its treatment of the more conjectural elements of its story, and more…

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Review of Weird: The Al Yankovic Story (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 03 Nov 2022

Radcliffe is winningly guileless in his performance, twitching his costume-y eyebrows and mustache like gentle bunny ears even as he lip-syncs…

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Review of Enola Holmes 2 (2022)

By Brian Lowry (913) for CNN (497) on 03 Nov 2022

The game is afoot (again) in Enola Holmes 2, a wonderful showcase for Millie Bobby Brown that this time manages to work the character’s famous…

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Review of Causeway (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 03 Nov 2022

In its rambling pace, Causeway at times is reminiscent of Winter’s Bone, the 2010 movie that introduced Lawrence to film fans, and may still…

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Review of Armageddon Time (2022)

By Moviemitch96 (552) on 03 Nov 2022

A young Jewish-American boy comes of age in 1980s alongside his African-American best friend who serves as a kind but bad influence to him…

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Review of The Banshees of Inisherin (2022)

By Brian Truitt (541) for USA Today (4,117) on 03 Nov 2022

Banshees masterfully explores the complications of a platonic friendship – when old pals stop being polite and start getting real – with…

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Review of Dressed to Kill (1980)

By Voodoo123 (536) on 03 Nov 2022

Beautifully shot mystery thriller with a great cast. Sadly the screenplay is average and the pacing is very slow (especially in 2022!)…

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Review of Causeway (2022)

By Odie Henderson (402) for Boston Globe (6,852) on 03 Nov 2022

Any metaphoric meaning is left up to the viewer, who will be too busy basking in the fine performances to give it much thought…

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Review of Do Revenge (2022)

By J_H (386) on 03 Nov 2022

First of all, this movie just recently came out so I’m not going to be that harsh in writing this review…

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Review of Weird: The Al Yankovic Story (2022)

By Clarisse Loughrey (259) for The Independent (259) on 03 Nov 2022

Radcliffe, who remains movie-star ripped for the film’s duration, is a genius casting choice…

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Review of Cold War (2018)

By Nickthecritick (243) on 03 Nov 2022

Against the backdrop of the cold war of the 1950s in Poland, two people of different social backgrounds and temperaments begin a stormy and…

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