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Review of Spirited (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 10 Nov 2022

With Ferrell and Reynolds striking just the right combination of hipster comedy with genuine sincerity, and the musical numbers working as…

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Review of Falling for Christmas (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 10 Nov 2022

Without Lohan, Falling for Christmas would be another of the near-anonymous morass of holiday movies so prevalent during the season…

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Review of Black Panther: Wakanda Forever (2022)

By A.o. Scott (2,100) for The New York Times (9,847) on 10 Nov 2022

A Marvel movie, for sure…

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Review of Black Panther: Wakanda Forever (2022)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 10 Nov 2022

Black Panther: Wakanda Forever suffers from a giant, Chadwick Boseman-shaped hole that it can’t fill, no matter how many characters, storylines,…

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Review of Holy Spider (2022)

By Marjorie Baumgarten (1,950) for Austin Chronicle (7,653) on 10 Nov 2022

As we begin to follow the trail of journalist Areez Rahimi (Ebrahimi, who received the Best Actress award at Cannes for this role), the film…

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Review of The Fabelmans (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 10 Nov 2022

The Fabelmans is, as the title says, somewhat of a fable and wonderful in both large and small ways, even if Spielberg can’t help but soften…

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Review of Paradise City (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 10 Nov 2022

The movie’s generic quality is spruced up by eccentric plots points (go-go dancers who also serve as undercover eco-activists, a nice Andy…

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Review of Retrograde (2022)

By Peter Debruge (1,557) for Variety (12,700) on 10 Nov 2022

There’s not a dull shot in the entire movie, which is remarkable, considering how little actual action Heineman films…

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Review of Slumberland (2022)

By Peter Debruge (1,557) for Variety (12,700) on 10 Nov 2022

Slumberland is stronger at conjuring elaborate dream worlds than it is at crafting a satisfying emotional foundation, which is generally true…

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Review of Slumberland (2022)

By Peter Debruge (1,557) for Variety (12,700) on 10 Nov 2022

Slumberland is stronger at conjuring elaborate dream worlds than it is at crafting a satisfying emotional foundation, which is generally true…

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Review of Nothing Lasts Forever (2022)

By Peter Debruge (1,557) for Variety (12,700) on 10 Nov 2022

Kohn has created the rare documentary that transforms the way we understand the world, questioning so many of our core beliefs, including the…

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Review of Retrograde (2023)

By Peter Debruge (1,557) for Variety (12,700) on 10 Nov 2022

There’s not a dull shot in the entire movie, which is remarkable, considering how little actual action Heineman films…

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Review of Elesin Oba: The King's Horseman (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 10 Nov 2022

The film works on multiple levels…

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Review of Falling for Christmas (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 10 Nov 2022

It’s silly, sitcom-y, and impossible to call “good,” but Falling For Christmas is the kind of bad that feels almost appealing…

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Review of Black Panther: Wakanda Forever (2022)

By Dana Stevens (1,435) for Slate (2,081) on 10 Nov 2022

While it’s frequently moving and occasionally thrilling, the gears sometimes grind audibly on the shift in between…

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Review of Elesin Oba: The King's Horseman (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 10 Nov 2022

In a film of grand acting, flamboyant color, vaulting ambition and global conflict, the more slippery gestures contain much meaning…

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Review of Slumberland (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Nov 2022

For all the surface wildness of Lawrence’s Slumberland, it’s about as rule-following a family pic as you can find…

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Review of Slumberland (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Nov 2022

For all the surface wildness of Lawrence’s Slumberland, it’s about as rule-following a family pic as you can find…

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Review of Retrograde (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 10 Nov 2022

It’s the faces that stand out in Retrograde, a stylistic and thematic motif that offers an empathetic power to the film as well as an aching…

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Review of Retrograde (2023)

By Katie Walsh (1,279) for TheWrap (3,203) on 10 Nov 2022

It’s the faces that stand out in Retrograde, a stylistic and thematic motif that offers an empathetic power to the film as well as an aching…

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