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Review of Blacklight (2022)

By Royalguy07 (396) on 11 Nov 2022

Just when you may have thought LIAM NEESON was out of roles to play he completely SHOCKS you and plays an FBI FIXER who gets pulled into a…

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Review of Black Panther: Wakanda Forever (2022)

By Metacriticonur (388) on 11 Nov 2022

Perfect [ adjective, noun pur-fikt; verb per-fekt ] adjective conforming absolutely to the description or definition of an ideal type: a perfect…

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Review of Is That Black Enough for You?!? (2022)

By John Fink (368) for The Film Stage (3,162) on 11 Nov 2022

Is That Black Enough For You?!? proves a warm, wise, personal celebration of raw creative energy…

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Review of Something in the Dirt (2022)

By Roxana Hadadi (336) for New York Magazine (Vulture) (3,519) on 11 Nov 2022

Something in the Dirt deftly bounces between the oddness of its central story, the silliness of its documentary framing, and the resentments…

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Review of Enemy Mine (1985)

By Kai82 (336) on 11 Nov 2022

A unique science fiction movie that surprised me. It is based on a book from Isaac Asimov…

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Review of No Bears (2022)

By Christopher Machell (333) for CineVue (2,163) on 11 Nov 2022

Panahi’s courageousness as an agitator is matched only by his inventiveness as a filmmaker…

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Review of See How They Run (2022)

By Habibiehakim (321) on 11 Nov 2022

7.5/10 I thought the first 50 minutes of See How They Run was the whole weakest part of the movie, it's not bad but it just feels weak, and…

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Review of My Father's Dragon (2022)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 11 Nov 2022

Even if a wonder feels minor, it reminds us that everything that Cartoon Saloon invests their talents in results in open-hearted, warm, and…

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Review of Is That Black Enough for You?!? (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 11 Nov 2022

Mitchell narrates in his rich baritone, taking his own audience back through the past, not only to appreciate the circumstances and struggle…

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Review of Black Adam (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

It’s not that I especially expect my superhero movies to have coherent messages or good politics (though Black Adam does dangle that possibility,…

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Review of My Policeman (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

My Policeman does precious little exploring of the joyful side of this unconventional three-way relationship and lots of wallowing in the sadness…

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Review of Armageddon Time (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

The movie glows…

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Review of Triangle of Sadness (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

As great as Triangle Of Sadness always looks, Östlund has a frustrating tendency to go more broad when you expect him to get more pointed…

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Review of All Quiet on the Western Front (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

If 1917 (and to some extent, War Horse) were stories of survival, gussied up with big technical gimmicks, All Quiet On The Western Front is…

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Review of Weird: The Al Yankovic Story (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

Weird is constantly riding that line between too-stupid-to-be-funny and so-stupid-it’s-hilarious…

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Review of Medieval (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

The movie shouts things that should be subtext so loudly that what’s actually happening tends to get drowned out…

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Review of Halloween Ends (2022)

By Vince Mancini (256) for Uproxx (697) on 11 Nov 2022

This is a movie that’s just good enough at a handful of things without really being great at any one…

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Review of Thunderball (1965)

By Liamexe (198) on 11 Nov 2022

Compared to the other Bonds I have seen, I have a much tougher time believing this one…

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Review of Minions: The Rise of Gru (2022)

By Liamexe (198) on 11 Nov 2022

The storyline was excellent, the movie was great from start to finish, and the story was interesting…

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Review of My Father's Dragon (2022)

By John Nugent (191) for Empire (3,446) on 11 Nov 2022

Another smash from Cartoon Saloon, at once heartily funny and heartfelt. With this and The Breadwinner, director Nora Twomey is now two-for-two…

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