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Review of Black Panther: Wakanda Forever (2022)

By Literalsense (1) on 12 Nov 2022

I literally cried in like five separate scenes in the film and I rarely cry…

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Review of My Policeman (2022)

By Nega444_ (1) on 12 Nov 2022

Vigyvuvuv nbjvuv jbjvjb nbubj j j h j j j j j j jj n nj j j j j j j j j j j j j j ubibihihubu…

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Review of Den of Thieves (2018)

By Sxixlxnx (1) on 12 Nov 2022

The film should get a straight 10/10 for drifting the Ford Mustang and not putting into a crowd, curb or wall…

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Review of The Ice Age Adventures of Buck Wild (2022)

By Frangesco (1) on 12 Nov 2022

Seriously I don't understand all the negative reviews, I despite I saw all the previous 5 movies in order, I really liked this one, really…

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Review of Weird: The Al Yankovic Story (2022)

By Gamereviewer555 (1) on 12 Nov 2022

This is the best comedy to come out in years and it's free to watch. There is no reason to skip out on this…

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Review of The American (2010)

By Kratos649 (1) on 12 Nov 2022

This movie has just popped up on Netflix so I thought I'd throw in my two cents worth. Wow this movie is bad…

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Review of Soul (2020)

By Thealchemist15 (1) on 12 Nov 2022

This was not a good film. At times the plot felt empty, boring and lazy. This would be a great film for maybe older people…

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Review of Venus (2006)

By Claudia Puig (2,080) for USA Today (4,117) on 11 Nov 2022

Peter O'Toole's tour-de-force performance makes Venus a movie not to be missed…

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Review of Armageddon Time (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 11 Nov 2022

It’s an oddly unaffecting childhood odyssey, and that’s only partly due to its obnoxious sixth grade artist, Paul Graff, played by Michael…

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Review of Vide Noir (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 11 Nov 2022

The production design is cool, the cutting and staging are sharp. But the movie that comes out of all that doesn’t play…

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Review of One Piece Film Red (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 11 Nov 2022

About 15 minutes of its dazzling visuals and narrative incoherence is enough…

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Review of No Bears (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 11 Nov 2022

Like Panahi’s recent films This Is Not a Film and Taxi Tehran, this is powerful because of its control, subtlety and diplomatic finesse…

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Review of The Fabelmans (2022)

By Peter Travers (3,602) for ABC News (186) on 11 Nov 2022

Bring out the Oscars for the year’s best movie, a personal best from Steven Spielberg about his own coming of age as a teen torn between…

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Review of Black Panther: Wakanda Forever (2022)

By Peter Travers (3,602) for ABC News (186) on 11 Nov 2022

It can’t top the original and the absence of the late Chadwick Boseman hurts real bad, but Ryan Coogler’s sequel proves to be more than…

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Review of Spirited (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 11 Nov 2022

Spirited was never going to be any good, but it would have been slightly better — and a change of pace — if Reynolds and Ferrell had switched…

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Review of Spirited (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 11 Nov 2022

Spirited was never going to be any good, but it would have been slightly better — and a change of pace — if Reynolds and Ferrell had switched…

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Review of Aftersun (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 11 Nov 2022

Most films would take pains to spell out the answers, eventually…

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Review of Aftersun (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 11 Nov 2022

Most films would take pains to spell out the answers, eventually…

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Review of The Fabelmans (2022)

By Peter Rainer (2,575) for Christian Science Monitor (3,788) on 11 Nov 2022

Spielberg is such a supersleek craftsman that what might have been intended as a deep dive instead comes across for the most part as a sprightly…

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Review of Pinocchio (2022)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 11 Nov 2022

Pinocchio manages enough charm, inventiveness, and—yes—technical innovation to be worth the effort…

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