Movie Reviews Published by Winnipeg Free Press - Page 4 of 18

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Review of Love, Simon (2018)

By Randall King (194) for Winnipeg Free Press (342) on 16 Mar 2018

This particular take on a major studio teen comedy is long overdue, but director Greg Berlanti seems intent on keeping his movie attuned to…

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Review of Meditation Park (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 16 Mar 2018

Meditation Park is mostly a complex and compassionate look at marriage, families, aging and the immigrant experience…

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Review of A Fantastic Woman (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 09 Mar 2018

Mixed in with these dark strains, we have glints of comedy and bursts of magic realism...In this empathetic portrait of suffering and resilience,…

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Review of Human Flow (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 09 Mar 2018

Ai's subjects remain nameless and voiceless, viewed en masse…

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Review of The Party (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 02 Mar 2018

The Party remains fast, brittle and more than a bit mean...Anchored by Scott Thomas's portrayal of cool competence and boosted by Clarkson's…

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Review of Annihilation (2018)

By Randall King (194) for Winnipeg Free Press (342) on 23 Feb 2018

When it comes to real comic inspiration, it never passes Go and does not collect $200…

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Review of Black Panther (2018)

By Randall King (194) for Winnipeg Free Press (342) on 16 Feb 2018

Marvel's world-building energy is actually focused in exciting and provocative ways, reflecting African culture and experience in the film's…

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Review of Early Man (2018)

By Randall King (194) for Winnipeg Free Press (342) on 16 Feb 2018

Aardman's secret weapon is the textural warmth of the claymation medium…

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Review of Call Me by Your Name (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 26 Jan 2018

Nothing happens and everything happens, the story's growing emotional power coming from subtle, complicated lead performances, exquisite pacing…

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Review of Den of Thieves (2018)

By Randall King (194) for Winnipeg Free Press (342) on 18 Jan 2018

Gutegast demonstrates some skill in staging action…

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Review of The Square (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 18 Jan 2018

The Square keeps viewers off-balance, taking on race and xenophobia, gender and abuse, poverty and class privilege with a sideways Nordic tone…

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Review of The Post (2017)

By Alan Small (1) for Winnipeg Free Press (342) on 12 Jan 2018

The result is such a nostalgic, romantic view of the newspaper business that it makes you wonder where the love for newspapers has gone all…

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Review of The Commuter (2018)

By Randall King (194) for Winnipeg Free Press (342) on 12 Jan 2018

If this is indeed Neeson's last action go-round, we can still follow him to the end of the line with minimal risk of disappointment…

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Review of Blue Velvet Revisited (2016)

By Randall King (194) for Winnipeg Free Press (342) on 05 Jan 2018

Since Lynch himself has not always been especially available to film journalists since Blue Velvet, you take your value where you can get it…

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Review of I, Tonya (2017)

By Randall King (194) for Winnipeg Free Press (342) on 05 Jan 2018

If a movie is provocatively challenging the audience's own prejudices, it helps to have a solid cast…

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Review of The Shape of Water (2017)

By Randall King (194) for Winnipeg Free Press (342) on 26 Dec 2017

Del Toro makes it work using every tool in his formidable tool box, which include a textural richness in production design typical of the director…

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Review of Downsizing (2017)

By Randall King (194) for Winnipeg Free Press (342) on 21 Dec 2017

Downsizing delivers great visual effects without taking it overboard…

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Review of Star Wars: The Last Jedi (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 15 Dec 2017

The Last Jedi combines sincerity with self-awareness, and fanboy callbacks with ranging cinematic references…

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Review of Lady Bird (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 17 Nov 2017

As much as I love Gerwig's sunny, grounded presence as a screen actor, her assured solo directorial debut demonstrates why we need women to…

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Review of Loving Vincent (2017)

By Alison Gillmor (124) for Winnipeg Free Press (342) on 10 Nov 2017

Loving Vincent is made up of visually lush, gorgeously coloured, constantly moving surfaces, but the narrative underneath remains awkward and static…

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