Movie Reviews Published by We Got This Covered - Page 9 of 120

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Review of Bodies Bodies Bodies (2022)

By Alejandra Martinez (38) for We Got This Covered (2,391) on 05 Aug 2022

There is plenty to love about Bodies Bodies Bodies, even if it could’ve sharpened its satirical knives a bit more…

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Review of Bullet Train (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 03 Aug 2022

When Bullet Train sings it’s often a blackly hilarious and knowingly absurd slice of demented action goodness…

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Review of Honor Society (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 28 Jul 2022

Ultimately, The Honor Society feels like a small-scale charm offensive featuring some genuinely engaging characters…

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Review of Nope (2022)

By Alejandra Martinez (38) for We Got This Covered (2,391) on 27 Jul 2022

Jordan Peele mixes and matches elements taken from big blockbusters and obscure subgenres alike to create a heart-racing nightmare that rains…

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Review of Not Okay (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 20 Jul 2022

Writer and director Quinn Shephard's Not Okay takes thing near to the knuckle, but the biting jet-black comedy never loses sight of its intentions,…

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Review of Alone Together (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 19 Jul 2022

Billed as a lockdown love story, Alone Together is more than the sum of those parts…

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Review of Alone Together (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 19 Jul 2022

Billed as a lockdown love story, Alone Together is more than the sum of those parts…

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Review of The Gray Man (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 19 Jul 2022

The Gray Man delivers on its promise of spectacular globetrotting action escapism, but there's a noticeable spark missing that could have elevated…

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Review of Persuasion (2022)

By Alejandra Martinez (38) for We Got This Covered (2,391) on 18 Jul 2022

Persuasion is a disastrously misguided Jane Austen adaptation that condescends, talks down to, and tries to hand-hold its audience at every turn…

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Review of Minions: The Rise of Gru (2022)

By Tricia Gilbride (5) for We Got This Covered (2,391) on 14 Jul 2022

Perhaps it’s a relief that the film does not, as is a trope in recent films, end in Gru’s temporary redemption, but at least that would…

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Review of Thor: Love and Thunder (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 07 Jul 2022

It’s exhilarating while it lasts, creating an unwavering feeling of giddy excitement and palpable enthusiasm in doing so, but by the time…

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Review of The Forgiven (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 30 Jun 2022

The Forgiven should have been an epic morality tale with acres of grey area, but somehow misses its mark, forever scuppered by a cliched ending…

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Review of Elvis (2022)

By Ashley Marie (7) for We Got This Covered (2,391) on 27 Jun 2022

For fans of Presley himself, this is the story you’ve been waiting for, and with “Unchained Melody” in your head, you’ll leave the…

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Review of The Man from Toronto (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 24 Jun 2022

Hart is capable of better, and Harrelson deserves better, so we can only hope the duo had fun during shooting, because there isn’t a great…

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Review of Spiderhead (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 17 Jun 2022

There’s definitely something vastly superior that was agonizingly close to being unleashed, but as it stands, Kosinski and his collaborators…

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Review of Cha Cha Real Smooth (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 17 Jun 2022

Cha Cha Real Smooth is perfect because it never set out to be anything close to a rom-com…

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Review of Jurassic World Dominion (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 14 Jun 2022

Jurassic World Dominion has its moments, but the latest installment in the franchise squanders what should have been a slam dunk…

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Review of You Are Not My Mother (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 06 Jun 2022

Dolan can officially be deemed as one of horror’s most intriguing and singular new talents, thanks to a debut that’s definitely worth seeking…

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Review of 18½ (2022)

By Alejandra Martinez (38) for We Got This Covered (2,391) on 06 Jun 2022

You can’t help but admire the ambition on display, even if it ultimately falls just a little short…

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Review of Hustle (2022)

By Scott Campbell (94) for We Got This Covered (2,391) on 03 Jun 2022

It isn’t anything you haven’t seen a handful of times before, then, but that’s exactly why Hustle works so well…

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