Movie Reviews Published by Washington Post - Page 5 of 493

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Review of Moving On (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 14 Mar 2023

It’s an emotionally stagnant affair, whether it’s going for laughter or tears…

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Review of Scream VI (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 08 Mar 2023

In the final scenes of Scream VI, there are a lot of deaths unfolding, including, arguably, the demise of a once-vital film franchise…

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Review of The Quiet Girl (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 07 Mar 2023

The Quiet Girl is that rare thing: a work of storytelling that speaks most loudly when it is saying nothing…

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Review of Palm Trees and Power Lines (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Mar 2023

With Palm Trees and Power Lines, Dack has created a haunting portrait of how trust is manipulated and abused; the trust she builds up with…

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Review of Operation Fortune: Ruse de Guerre (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 01 Mar 2023

Is “Operation Fortune” a cure for the blues? No…

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Review of Creed III (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 28 Feb 2023

For the most part, Creed III is a matter of clear, straightforward storytelling, with a well-balanced variety of action, feeling, character…

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Review of Luther: The Fallen Sun (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 24 Feb 2023

Luther” is not without its pleasures, assuming you have the stomach for the kind of theatrical crimes that exist only in filmdom…

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Review of Cocaine Bear (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 23 Feb 2023

During the lulls in which characters are talking (which happens with surprising frequency considering the film’s title), Cocaine Bear goes…

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Review of Return to Seoul (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 22 Feb 2023

A carefully wrought character study of a person who lives life with careless abandon…

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Review of No Bears (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 22 Feb 2023

No Bears would be thoroughly engaging simply as a wryly funny fish-out-of-water story, with some diverting film-within-a-film metatext thrown…

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Review of Of an Age (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 15 Feb 2023

Anton conveys a deep well of unrequited longing that is so powerful, it doesn’t really need storytelling gimmicks…

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Review of Marlowe (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 15 Feb 2023

Less intriguingly convoluted than concussed into lifelessness, “Marlowe” is the cinematic equivalent of a word salad: It parrots all the…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 14 Feb 2023

In “Quantumania,” sprightly pacing and lighthearted humor have succumbed to the turgid seriousness that plagues so much of the comic book canon…

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Review of Magic Mike's Last Dance (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 09 Feb 2023

Magic Mike’s Last Dance, a mostly flat, flavorless cocktail of a sequel that tries to replicate the fizz of the 2012 original by stirring…

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Review of Sharper (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 08 Feb 2023

In the case of Sharper, we’re treated to puzzle boxes within puzzle boxes, each one delivered in sequential chapters — titled after the…

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Review of Knock at the Cabin (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 01 Feb 2023

To anyone who feels, at times, so overwhelmed by the drumbeat of climate disaster, economic collapse, crime, mass shooting and terrorism, deadly…

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Review of One Fine Morning (2022)

By Thomas Floyd (28) for Washington Post (9,851) on 31 Jan 2023

Hansen-Love’s semi-autobiographical script provides heart-wrenching glimpses of the empathetic academic within…

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Review of 80 for Brady (2023)

By Mark Jenkins (515) for Washington Post (9,851) on 31 Jan 2023

A serviceable mash-up of sitcom and sports flick, 80 for Brady should please fans of Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field and/or…

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Review of Baby Ruby (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 31 Jan 2023

Baby Ruby makes a valuable contribution to the emerging cinematic literature on the unspoken realities of women’s lived experience — with…

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Review of Infinity Pool (2023)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 25 Jan 2023

The director, who is the son of filmmaker David Cronenberg, seems to have inherited some of his father’s worst excesses, which are here unleashed…

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