Movie Reviews Published by Washington Post - Page 20 of 493

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Review of Respect (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 11 Aug 2021

Respect is nominally a movie about a woman finding her voice, but more accurately it’s about her taking full possession of it…

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Review of Coda (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 10 Aug 2021

You’ll laugh, all right. You’ll cry. You’ll do both at the same time. CODA is just that kind of movie. And thank goodness for it…

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Review of Free Guy (2021)

By Hau Chu (19) for Washington Post (9,851) on 10 Aug 2021

It’s hard not to imagine that there could have a better version of this movie’s premise: one that upped the cultural satire, while still…

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Review of CODA (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 10 Aug 2021

You’ll laugh, all right. You’ll cry. You’ll do both at the same time. CODA is just that kind of movie. And thank goodness for it…

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Review of Nine Days (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 06 Aug 2021

Nine Days is, in the end, meant as a wake-up call: a bracing splash of fake seawater in the face that somehow, against all logic, feels like…

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Review of The Suicide Squad (2021)

By Pat Padua (495) for Washington Post (9,851) on 05 Aug 2021

What drags this “Squad” down to the dreary level of Ayer’s vision is the tone of Gunn’s film, which is more violent and less lighthearted…

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Review of Sabaya (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 04 Aug 2021

As absorbing and illuminating as Sabaya is — and as courageous as it is as an act of filmmaking — the viewer can’t escape the fact that…

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Review of Ailey (2021)

By Annabel Aguiar (2) for Washington Post (9,851) on 03 Aug 2021

The film brings a more human understanding of a figure so noteworthy he has earned mononym status for the title…

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Review of Annette (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 03 Aug 2021

For audiences who prefer their movies to be as weird and even off-putting as possible, Annette comes fully wrapped as a pretentious, arty,…

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Review of Stillwater (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 29 Jul 2021

As in life, what drives most of the drama in this overstuffed but often thought-provoking movie is a failure to communicate…

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Review of The Green Knight (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 29 Jul 2021

The yarn that Lowery spins is rich with incident, but ultimately simple…

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Review of Jungle Cruise (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Jul 2021

This is an untaxing, big-budget summer popcorn movie for the whole family…

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Review of Joe Bell (2020)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 20 Jul 2021

Although Miller is excellent as the doomed teen, Wahlberg seems out of his league here, except in the actor’s rendering of Joe’s acute…

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Review of Space Jam: A New Legacy (2021)

By Kristen Page-Kirby (44) for Washington Post (9,851) on 14 Jul 2021

If this is corporate synergy fired up to a terrifying new level, there’s still enough heart at the movie’s center to keep it from becoming…

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Review of Pig (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 13 Jul 2021

Like the character at the heart of Pig — who is not, as it turns out, a pig at all, even metaphorically — it is smoldering and gentle…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Tim Carman (2) for Washington Post (9,851) on 12 Jul 2021

Morgan Neville’s nervy, impressionistic film, which over the course of two hours quietly peels back the layers of an onion that sweetened…

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Review of Summertime (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 12 Jul 2021

Billed as a spoken-word musical, but only occasionally utilizing the visual idioms of song and/or dance — and only rarely harnessing the…

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Review of The One and Only Dick Gregory (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 08 Jul 2021

The film’s title is apt: Gregory was one of a kind…

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Review of The Forever Purge (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 30 Jun 2021

There’s a nugget of . . …

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Review of The Boss Baby: Family Business (2021)

By Thomas Floyd (28) for Washington Post (9,851) on 30 Jun 2021

The movie’s most piercing barbs are left for the tech world and the inevitability that our phones will make zombies of us all…

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