Movie Reviews Published by Washington Post - Page 15 of 493

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Review of Sundown (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 01 Feb 2022

Sundown is at its most engrossing as an individual portrait, even if its inscrutable subject is a person to whom virtually no (sane) viewer…

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Review of GameStop: Rise of the Players (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 28 Jan 2022

It’s a yarn that’s made for a great storyteller, with thrills and chills to burn…

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Review of France (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 26 Jan 2022

Dumont is clearly critiquing the way we mediate life via screens, large and small…

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Review of Redeeming Love (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 20 Jan 2022

Redeeming Love is an incident-rich saga populated by cardboard heroes and villains and outfitted with greeting-card sentiments and cartoon villainy…

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Review of Jockey (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 19 Jan 2022

Filmmaker Clint Bentley makes a tender, visually poetic feature directorial debut with “Jockey,” a closely observed portrait of a man embarking…

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Review of Flee (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 19 Jan 2022

Thanks to his courage and Rasmussen’s compassion and creativity, “Flee” morphs from a tale of dispossession to a testament to the power…

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Review of Munich - The Edge of War (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 12 Jan 2022

A mixture of well-researched historical fact and pure fiction, “Munich: The Edge of War” is a smart and entertaining thriller that suffers…

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Review of The Velvet Queen (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 11 Jan 2022

There’s plenty to look at while we’re waiting for the titular Queen, and it’s often quite pretty: Shots of rabbits, sheep, deer, yaks,…

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Review of Parallel Mothers (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 04 Jan 2022

The geometry of filmmaker Pedro Almodóvar’s masterful, moving Parallel Mothers, which follows the stories of two women who give birth almost…

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Review of Licorice Pizza (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 22 Dec 2021

Licorice Pizza is at its best — and is genuinely charming — when it’s simply focused on Gary and Alana — two mixed-up kids trying to…

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Review of Sing 2 (2021)

By Kristen Page-Kirby (44) for Washington Post (9,851) on 21 Dec 2021

Writer-director Garth Jennings’s script hits the usual sequel plot points: No one over the age of 10 will ever accuse the film of originality,…

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Review of The Matrix Resurrections (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 21 Dec 2021

Wachowski seems to be at war with her audience, rewarding them with deep-cut callbacks one moment only to roll her eyes at the entire enterprise…

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Review of The Tragedy of Macbeth (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 21 Dec 2021

For such a compact and efficient vessel, “The Tragedy of Macbeth” pours forth seemingly endless wellsprings of language, emotion and psychological…

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Review of The Tragedy of Macbeth (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 21 Dec 2021

For such a compact and efficient vessel, “The Tragedy of Macbeth” pours forth seemingly endless wellsprings of language, emotion and psychological…

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Review of A Journal for Jordan (2021)

By Pat Padua (495) for Washington Post (9,851) on 21 Dec 2021

Despite a story line that covers such fraught historical events as 9/11 and the Iraq War, the movie is too tidy to ever really feel like a…

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Review of Red Rocket (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 21 Dec 2021

The film, whose title may or may not refer to a slang term for a dog’s erection, often teeters between compassion and something that feels…

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Review of The Tender Bar (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 21 Dec 2021

Tender also is an apt description for the gently heartwarming tone of this appealingly low-key, faded Kodachrome coming-of-age story, capably…

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Review of American Underdog (2021)

By Thomas Floyd (28) for Washington Post (9,851) on 21 Dec 2021

Co-directed by siblings and faith-based filmmakers Andrew and John Erwin, this down-the-middle crowd pleaser ultimately makes for a rousing…

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Review of The King's Man (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 20 Dec 2021

If the story is fun — and it is fitfully, only after a protracted, sloggy set up — it’s a lot less so than either of the first two films…

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Review of Bad Luck Banging or Loony Porn (2021)

By Pat Padua (495) for Washington Post (9,851) on 14 Dec 2021

Writer-director Radu Jude’s fascinating, cynical dramedy “Bad Luck Banging or Loony Porn” careens between lowbrow humor and highbrow…

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