Movie Reviews Published by Washington Post - Page 12 of 493

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Review of Good Luck to You, Leo Grande (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 16 Jun 2022

Good Luck to You, Leo Grande turns out to be a wise, amusing, unexpectedly touching exploration of human psyches, the bodies that house them…

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Review of Cha Cha Real Smooth (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 16 Jun 2022

Writer, director and actor Cooper Raiff delivers an ingratiating turn as a cheerful lost soul in Cha Cha Real Smooth, a post-college coming-of-age…

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Review of Lightyear (2022)

By Alan Zilberman (171) for Washington Post (9,851) on 14 Jun 2022

If the film is aspirational, showing Andy what it means to be a dependable ally, then MacLane sacrifices pure entertainment for a loftier purpose…

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Review of Jurassic World Dominion (2022)

By Thomas Floyd (28) for Washington Post (9,851) on 08 Jun 2022

When “Dominion’s” final 20 minutes play as a beat-for-beat re-creation of previous films’ set pieces, it becomes clear that Trevorrow…

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Review of Crimes of the Future (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Jun 2022

With its outré images and pulsating shots of human viscera, Crimes of the Future is clearly meant to shock, as well as reference very real…

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Review of Fire Island (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Jun 2022

Actor and screenwriter Joel Kim Booster gives Jane Austen a brisk, lighthearted refresh in Fire Island, a hedonistic — but disarmingly sincere…

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Review of Fire Island (2023)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Jun 2022

Actor and screenwriter Joel Kim Booster gives Jane Austen a brisk, lighthearted refresh in Fire Island, a hedonistic — but disarmingly sincere…

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Review of Jazz Fest: A New Orleans Story (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 31 May 2022

There are gray hairs on some of the people in this fascinating film: Jimmy Buffett, Tom Jones (yes, that Tom Jones — he played the 2019 show)…

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Review of The Phantom of the Open (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 31 May 2022

Despite its light subject matter, “Phantom” is about something more than an obscure British folk hero (although it is also that)…

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Review of Fiddler's Journey to the Big Screen (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 24 May 2022

Fiddler’s Journey aims to tell a story that delves into more than creative and technical details. Although it is also about those details…

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Review of We Feed People (2022)

By Tim Carman (2) for Washington Post (9,851) on 24 May 2022

In the era of climate change, Howard seems to be saying, Mother Nature may be an unpredictable force, but we have our own flesh-and-blood counterpart…

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Review of Top Gun: Maverick (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 24 May 2022

Like the hyper-competent aces at the story’s core, this is a movie that defines its lane early and sticks to it, with finesse, unfussy style…

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Review of The Bob's Burgers Movie (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 24 May 2022

Put in terms that Bob (and perhaps only Bob fans) can understand: This movie may not be the Meatsiah — beef tartare inside a medium-well…

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Review of Emergency (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 18 May 2022

The classic college party-crawl comedy gets a smart, self-aware refresh with Emergency, a funny, adroitly executed satire that manages to find…

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Review of Downton Abbey: A New Era (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 18 May 2022

The subtitle refers not only to the twilight of the 1920s but to a changing of the guard in this entertainment franchise as well…

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Review of Montana Story (2022)

By Pat Padua (495) for Washington Post (9,851) on 16 May 2022

Although the pacing of the film — written and directed by Scott McGehee and David Siegel (“What Maisie Knew”), from a story co-written…

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Review of On the Count of Three (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 11 May 2022

There’s plenty of food for thought here too, and Carmichael clearly hasn’t set out to trivialize a serious subject…

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Review of Vortex (2022)

By Hau Chu (19) for Washington Post (9,851) on 05 May 2022

It’s tempting to call the semi-autobiographical film — inspired by both the death of Noé’s mother and his own recovery from a brain…

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Review of Vortex (2021)

By Hau Chu (19) for Washington Post (9,851) on 05 May 2022

It’s tempting to call the semi-autobiographical film — inspired by both the death of Noé’s mother and his own recovery from a brain…

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Review of Petite Maman (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 03 May 2022

Petite Maman is what every film should be: powerfully, even arrestingly original; grounded in emotional truth; hyper-specific; deeply universal;…

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