Movie Reviews Published by Vox - Page 8 of 37

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Review of The King (2019)

By Constance Grady (10) for Vox (725) on 10 Oct 2019

Mostly, The King is about the corrupting influences of power, and the idea that war, perhaps especially Renaissance war, is an inhuman, brutal…

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Review of Dolemite Is My Name (2019)

By Alissa Wilkinson (499) for Vox (725) on 10 Oct 2019

It’s an interesting (if not in-depth) exploration of how culturally dependent a thing comedy really is…

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Review of Gemini Man (2019)

By Alex Abad-Santos (75) for Vox (725) on 09 Oct 2019

Gemini Man is a demo reel for some fancy new movie technology, an EPCOT attraction dressed up as an action flick…

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Review of The Irishman (2019)

By Alissa Wilkinson (499) for Vox (725) on 27 Sep 2019

The movie has the maturity of an older man’s perspective, an eye cast backward on a full life…

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Review of Ad Astra (2019)

By Alissa Wilkinson (499) for Vox (725) on 19 Sep 2019

Ad Astra is beautiful, contemplative, and loaded with meaning — not an action movie, but one that leaves you with plenty to ponder…

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Review of Parasite (2019)

By Alissa Wilkinson (499) for Vox (725) on 16 Sep 2019

Parasite is an unpredictable, thought-provoking masterpiece about inequality…

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Review of Marriage Story (2019)

By Alissa Wilkinson (499) for Vox (725) on 14 Sep 2019

Marriage Story sees the end of a marriage as cause for both mourning and bittersweet comedy. The relationship is changing, but not ending…

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Review of Knives Out (2019)

By Alissa Wilkinson (499) for Vox (725) on 12 Sep 2019

It’s the most finely tuned version of a murder mystery you could hope for, with joyous performances and style in spades…

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Review of Hustlers (2019)

By Emily Todd Vanderwerff (26) for Vox (725) on 12 Sep 2019

Hustlers isn’t a fatuous tale of empowerment; it’s also not ignorant of the sisterhood its characters find in the midst of their sordid deeds…

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Review of The Goldfinch (2019)

By Alissa Wilkinson (499) for Vox (725) on 12 Sep 2019

I think I’d rather re-read The Goldfinch than watch it again…

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Review of Hustlers (2019)

By Emily Vanderwerff (28) for Vox (725) on 12 Sep 2019

Hustlers isn’t a fatuous tale of empowerment; it’s also not ignorant of the sisterhood its characters find in the midst of their sordid deeds…

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Review of Joker (2019)

By Alissa Wilkinson (499) for Vox (725) on 12 Sep 2019

Joker is a well-made movie, with a killer performance from Joaquin Phoenix, who seems born to play the role…

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Review of A Beautiful Day in the Neighborhood (2019)

By Alissa Wilkinson (499) for Vox (725) on 12 Sep 2019

This film invites us into Rogers’ philosophy that adults would be better people if they tried to remember what it was like to be children…

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Review of Jojo Rabbit (2019)

By Alissa Wilkinson (499) for Vox (725) on 10 Sep 2019

The film is a little too sprightly to land any heavy punches — it’s more of a comedy with satirical elements than a true satirical tale…

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Review of Honey Boy (2019)

By Alissa Wilkinson (499) for Vox (725) on 08 Sep 2019

It’s an intensely personal project for writer and star Shia LaBeouf, one that walks a thin tightrope, but pays off beautifully…

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Review of It Chapter Two (2019)

By Aja Romano (35) for Vox (725) on 08 Sep 2019

The ultimate problem with this remake…

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Review of Just Mercy (2019)

By Alissa Wilkinson (499) for Vox (725) on 08 Sep 2019

The film is smartly designed to deliver its message into as many hearts as possible…

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Review of Waves (2019)

By Alissa Wilkinson (499) for Vox (725) on 07 Sep 2019

Waves earns its grace-filled ending by asking us to live alongside a trial by fire…

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Review of Waves (2019)

By Alissa Wilkinson (499) for Vox (725) on 07 Sep 2019

Waves earns its grace-filled ending by asking us to live alongside a trial by fire…

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Review of American Factory (2019)

By Alissa Wilkinson (499) for Vox (725) on 22 Aug 2019

American Factory tackles the challenges of globalization with much more depth and nuance than most reporting on the topic, precisely because…

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