Movie Reviews Published by Vox - Page 6 of 37

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Review of Driveways (2020)

By Alissa Wilkinson (499) for Vox (725) on 07 May 2020

Driveways is surprising at every turn…

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Review of Becoming (2020)

By Alissa Wilkinson (499) for Vox (725) on 07 May 2020

It’s not a puff piece, but it also doesn’t contain any big revelations…

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Review of The Half of It (2020)

By Emily Todd Vanderwerff (26) for Vox (725) on 03 May 2020

There are some really terrific moments there — particularly where the movie leaves its central relationships — but they all hinge on a…

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Review of The Assistant (2020)

By Alissa Wilkinson (499) for Vox (725) on 03 May 2020

It’s one of the best, most gripping, and smartest films of 2020…

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Review of The Assistant (2020)

By Alissa Wilkinson (499) for Vox (725) on 03 May 2020

It’s one of the best, most gripping, and smartest films of 2020…

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Review of The Half of It (2020)

By Emily Vanderwerff (28) for Vox (725) on 03 May 2020

There are some really terrific moments there — particularly where the movie leaves its central relationships — but they all hinge on a…

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Review of Bad Education (2019)

By Alissa Wilkinson (499) for Vox (725) on 24 Apr 2020

Where the film really sings — aside from its often darkly funny writing and surprisingly thrilling take on what could have been a dull bureaucratic…

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Review of True History of the Kelly Gang (2019)

By Alissa Wilkinson (499) for Vox (725) on 24 Apr 2020

Kurzel favors stylized images and the occasional anachronistic metal track to provoke a mood more than faithfully recreate history…

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Review of The Other Lamb (2020)

By Alissa Wilkinson (499) for Vox (725) on 03 Apr 2020

Chilly, precisely designed scenes make for a sharp juxtaposition with images of blood, violence, and birth…

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Review of The Platform (2019)

By Alissa Wilkinson (499) for Vox (725) on 20 Mar 2020

Somehow it works — probably because The Platform commits to its conceptual framework so thoroughly, and with such precision, that it coaxes…

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Review of The Way Back (2020)

By Alissa Wilkinson (499) for Vox (725) on 06 Mar 2020

Movies like this one are just looking for an audience with whom they’ll resonate…

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Review of Onward (2020)

By Alissa Wilkinson (499) for Vox (725) on 04 Mar 2020

It’s better than most of the entertainment aimed at children that studios churn out these days…

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Review of Wendy (2020)

By Alissa Wilkinson (499) for Vox (725) on 27 Feb 2020

On a number of occasions, the film veers close to succeeding. At times it’s evocative and touching…

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Review of Emma (2020)

By Alissa Wilkinson (499) for Vox (725) on 20 Feb 2020

This new Emma doesn’t play too fast and loose with the story or its most familiar beats, but it digs out the absurdities of being wealthy…

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Review of Emma. (2020)

By Alissa Wilkinson (499) for Vox (725) on 20 Feb 2020

This new Emma doesn’t play too fast and loose with the story or its most familiar beats, but it digs out the absurdities of being wealthy…

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Review of Emma (2020)

By Alissa Wilkinson (499) for Vox (725) on 20 Feb 2020

This new Emma doesn’t play too fast and loose with the story or its most familiar beats, but it digs out the absurdities of being wealthy…

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Review of Portrait of a Lady on Fire (2019)

By Emily Todd Vanderwerff (26) for Vox (725) on 13 Feb 2020

What makes the French masterpiece Portrait of a Lady on Fire — one of my favorite movies ever made, and the perfect Valentine’s Day date…

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Review of Portrait of a Lady on Fire (2019)

By Emily Vanderwerff (28) for Vox (725) on 13 Feb 2020

What makes the French masterpiece Portrait of a Lady on Fire — one of my favorite movies ever made, and the perfect Valentine’s Day date…

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Review of To All the Boys: P.S. I Still Love You (2020)

By Constance Grady (10) for Vox (725) on 10 Feb 2020

As she was in To All the Boys, Condor is the beating heart of this movie, and her performance as Lara Jean is deceptively complex…

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Review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)

By Alex Abad-Santos (75) for Vox (725) on 05 Feb 2020

It’s frustrating, though, to see a movie so tight and entertaining in its action and so gangly in exposition…

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