Movie Reviews Published by Vox - Page 3 of 37

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Review of Deep Water (2022)

By Alex Abad-Santos (75) for Vox (725) on 08 Apr 2022

For the most part, though, Deep Water has abandoned thought and logic for horny, unhinged vibes. It’s so much beautiful fun…

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Review of Morbius (2022)

By Alex Abad-Santos (75) for Vox (725) on 07 Apr 2022

With a lack of humor and deadly exposition, Morbius propels itself into an absolutely wild third act, perhaps the unintentionally silliest…

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Review of The Batman (2022)

By Alex Abad-Santos (75) for Vox (725) on 04 Mar 2022

Reeves has created the best iteration of Batman in years, in a film that examines the humanity behind the character…

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Review of Jackass Forever (2022)

By Alissa Wilkinson (499) for Vox (725) on 11 Feb 2022

I stumbled into the night after Jackass Forever with aching cheeks from laughing, a sore derriere from sitting, and a little bit of gratitude…

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Review of Venom: Let There Be Carnage (2021)

By Alex Abad-Santos (75) for Vox (725) on 21 Jan 2022

On its face, Venom 2 is a no-frills, rock-and-roll superhero flick that unashamedly swings for the fences when it comes to camp and cheese…

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Review of The Lost Daughter (2021)

By Alissa Wilkinson (499) for Vox (725) on 06 Jan 2022

The movie captures the spirit of the novel well…

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Review of The Holiday Calendar (2018)

By Constance Grady (10) for Vox (725) on 22 Dec 2021

The Holiday Calendar is the kind of aggressively formulaic movie that Hallmark built its brand on…

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Review of Don't Look Up (2021)

By Alissa Wilkinson (499) for Vox (725) on 18 Dec 2021

For me, the bludgeoning tends to blunt the entertainment value…

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Review of Silent Night (2021)

By Alissa Wilkinson (499) for Vox (725) on 18 Dec 2021

It’s a tonally strange movie from the get-go, masquerading as a typical holiday flick about long-lost friends getting together at the holidays…

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Review of Dune (2021)

By Alissa Wilkinson (499) for Vox (725) on 13 Dec 2021

The film moves slowly at times, and that’s entirely on purpose…

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Review of Flee (2021)

By Alissa Wilkinson (499) for Vox (725) on 02 Dec 2021

By the end, it seems telling his story — saying it out loud in a safe space, at last — may have helped Amin heal a bit more…

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Review of The Power of the Dog (2021)

By Alissa Wilkinson (499) for Vox (725) on 01 Dec 2021

Its rough-hewn, side-glancing characters are full of secrets and unspoken intentions, thinking thoughts it didn’t even occur to you to imagine…

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Review of Licorice Pizza (2021)

By Alissa Wilkinson (499) for Vox (725) on 26 Nov 2021

The film, which is structured as a series of set pieces that Alana and Gary stumble into and out of, is far too strange and specific and sometimes…

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Review of House of Gucci (2021)

By Alissa Wilkinson (499) for Vox (725) on 22 Nov 2021

House of Gucci is probably the funniest comedy and dopiest tragedy of the year. Everyone chomps on the scenery…

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Review of Belfast (2021)

By Alissa Wilkinson (499) for Vox (725) on 19 Nov 2021

It’s become a lazy critical cliché to declare that a film is a love letter to a city or to the past or to cinema, but in this case it’s…

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Review of Passing (2021)

By Alissa Wilkinson (499) for Vox (725) on 19 Nov 2021

The result is cool, elegant, and devastating, a film as tightly woven and plaintive as the source novel itself…

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Review of Procession (2021)

By Alissa Wilkinson (499) for Vox (725) on 19 Nov 2021

In letting them retell those stories their way, and asking us to watch, Procession dares its audience to not look away…

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Review of Passing (2021)

By Alissa Wilkinson (499) for Vox (725) on 19 Nov 2021

The result is cool, elegant, and devastating, a film as tightly woven and plaintive as the source novel itself…

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Review of No Time to Die (2021)

By Alissa Wilkinson (499) for Vox (725) on 09 Oct 2021

No Time to Die exists to wrap up lots of plot lines — it feels, like 2019’s Avengers: Endgame, like the end of a cycle, a grand epic about…

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Review of The Eyes of Tammy Faye (2021)

By Alissa Wilkinson (499) for Vox (725) on 05 Oct 2021

This exceptionally well-cast version of Tammy Faye’s story does manage to tap into a cultural moment with reverberations we continue to feel today…

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