Movie Reviews Published by Vox - Page 23 of 37

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Review of Wind River (2017)

By Alissa Wilkinson (499) for Vox (725) on 02 Aug 2017

While there’s no reason to crack a lot of jokes to lighten the mood, it can start to feel like the movie relies too heavily on despair, to…

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Review of The Incredible Jessica James (2017)

By Genevieve Koski (68) for Vox (725) on 27 Jul 2017

In Williams's hands, Jessica James becomes a diamond-sharp protagonist, and the only defining feature of an otherwise formless movie…

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Review of Atomic Blonde (2017)

By Emily Vanderwerff (28) for Vox (725) on 27 Jul 2017

Director David Leitch is a little too nonchalant about the gigantic pile of corpses his heroine leaves in her wake…

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Review of Atomic Blonde (2017)

By Emily Todd Vanderwerff (26) for Vox (725) on 27 Jul 2017

Director David Leitch is a little too nonchalant about the gigantic pile of corpses his heroine leaves in her wake…

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Review of Brigsby Bear (2017)

By Alissa Wilkinson (499) for Vox (725) on 26 Jul 2017

Brigsby Bear is about how the things we love help us find where we belong…

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Review of Atomic Blonde (2017)

By Todd Vanderwerff (134) for Vox (725) on 26 Jul 2017

Director David Leitch is a little too nonchalant about the gigantic pile of corpses his heroine leaves in her wake…

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Review of Detroit (2017)

By Alissa Wilkinson (499) for Vox (725) on 26 Jul 2017

The reason films like Detroit are important isn’t just because they remind us that the more things change, the more they stay the same; it’s…

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Review of The Emoji Movie (2017)

By Alissa Wilkinson (499) for Vox (725) on 26 Jul 2017

The Emoji Movie is a waste of time, resources, and a bunch of comedians’ voices, plus a premise that actually had the potential to do some…

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Review of Valerian and the City of a Thousand Planets (2017)

By Todd Vanderwerff (134) for Vox (725) on 18 Jul 2017

Besson doesn't know how to take half measures, a welcome trait in a world increasingly full of cookie-cutter blockbusters…

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Review of Dunkirk (2017)

By Alissa Wilkinson (499) for Vox (725) on 16 Jul 2017

Dunkirk wants us to sense what made this moment so pivotal without reducing it to an individual tale. And at that, it succeeds richly…

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Review of To the Bone (2017)

By Alissa Wilkinson (499) for Vox (725) on 13 Jul 2017

[A] smart and even funny story of a young woman nearing the bottom of her anorexia…

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Review of War for the Planet of the Apes (2017)

By Alissa Wilkinson (499) for Vox (725) on 12 Jul 2017

War for the Planet of the Apes is the rare blockbuster that’s both entertaining and full of complexity…

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Review of Spider-Man: Homecoming (2017)

By Alex Abad-Santos (75) for Vox (725) on 05 Jul 2017

Tom Holland masterfully channels Peter’s teenage angst, which could easily come off as melodramatic or superficial, and infuses it with respect…

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Review of Despicable Me 3 (2017)

By Alex Abad-Santos (75) for Vox (725) on 05 Jul 2017

Despicable Me 3's tender moments are often drowned out by everything else its filmmakers want to smash into its 90 or so minutes…

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Review of The House (2017)

By Abbey White (2) for Vox (725) on 29 Jun 2017

In the midst of what feels like a dark time, The House offers relief in its assertion that it’s okay to laugh at the lengths to which we…

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Review of Nobody Speak: Trials of the Free Press (2017)

By Alissa Wilkinson (499) for Vox (725) on 28 Jun 2017

In Trump’s America, most people watching Netflix already have their minds made up about journalists — they may trust them, or they may…

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Review of The Reagan Show (2017)

By Alissa Wilkinson (499) for Vox (725) on 28 Jun 2017

By letting the past speak for itself, The Reagan Show stays both sober and light on its feet…

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Review of Baby Driver (2017)

By Genevieve Koski (68) for Vox (725) on 26 Jun 2017

It’s a seemingly straightforward “one last job” crime tale mashed up with a jukebox musical romance, part high-octane action flick and…

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Review of The Bad Batch (2017)

By Alissa Wilkinson (499) for Vox (725) on 22 Jun 2017

The Bad Batch squanders its strong start and rich setting on a too-thin plot…

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Review of The Big Sick (2017)

By Alissa Wilkinson (499) for Vox (725) on 21 Jun 2017

The Big Sick feels authentic because it isn’t afraid of complexity…

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