Movie Reviews Published by Variety - Page 25 of 635

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Review of Vendetta (2022)

By Rene Rodriguez (1,781) for Variety (12,700) on 17 May 2022

Vendetta, which is so curiously timid it doesn’t even provide one memorable bit of gratuitous B-movie gore, will evaporate from your memory…

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Review of Chip 'n Dale: Rescue Rangers (2022)

By Amy Nicholson (961) for Variety (12,700) on 17 May 2022

This frenetic and funny crossbreeding of live action and cartoon is both a reboot and an anti-reboot, a corporate-funded raspberry at corporate…

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Review of Vendetta (2022)

By Rene Rodriguez (1,781) for Variety (12,700) on 17 May 2022

Vendetta, which is so curiously timid it doesn’t even provide one memorable bit of gratuitous B-movie gore, will evaporate from your memory…

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Review of The Last Victim (2022)

By Joe Leydon (915) for Variety (12,700) on 13 May 2022

Director Naveen A…

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Review of Senior Year (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 13 May 2022

If Alex Hardcastle’s effortfully high-spirited Netflix feature isn’t exactly good, it’s still good enough to provide reasonable throwaway…

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Review of Firestarter (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 13 May 2022

The whole thing plays like “Logan” done in the worst humdrum rhythmless made-for-streaming generic style, the lighting flat, the soundtrack…

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Review of Top Gun: Maverick (2022)

By Peter Debruge (1,557) for Variety (12,700) on 12 May 2022

Hardly anything in Top Gun: Maverick will surprise you, except how well it does nearly all the things audiences want and expect it to do…

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Review of The Kids in the Hall: Comedy Punks (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 11 May 2022

While best enjoyed by the already converted, it provides enough showbiz insight and interpersonal drama to entertain newbies…

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Review of The Mystery of Marilyn Monroe: The Unheard Tapes (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 10 May 2022

This is dark, squalid, squinting-through-the-keyhole stuff, and it can make a film like The Mystery of Marilyn Monroe sound like a guilty-pleasure…

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Review of Hello, Bookstore (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 10 May 2022

Hello, Bookstore is a salute to the sacramental qualities of art that are threaded through everyday life…

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Review of Sneakerella (2022)

By Courtney Howard (393) for Variety (12,700) on 09 May 2022

Heartening sentiments about gaining confidence, the passionate pull of artistic expression and the ingenious meta context of the narrative’s…

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Review of The Takedown (2022)

By Joe Leydon (915) for Variety (12,700) on 06 May 2022

Leterrier manages a few modestly exciting chase scenes, including one that begins in a laser tag course, continues through a bowling alley…

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Review of Jazz Fest: A New Orleans Story (2022)

By Joe Leydon (915) for Variety (12,700) on 04 May 2022

To paraphrase an admonition from a classic Rolling Stones album: This movie should be played real loud…

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Review of Vinyl Nation (2020)

By Chris Willman (63) for Variety (12,700) on 04 May 2022

The clichéd word that’s most bandied about by vinyl enthusiasts really does apply to the movie that’s been made about it: “warmth.”…

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Review of Doctor Strange in the Multiverse of Madness (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 May 2022

Doctor Strange and the Multiverse of Madness is a ride, a head trip, a CGI horror jam, a what-is-reality Marvel brainteaser and, at moments,…

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Review of Crush (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Apr 2022

What’s jarring in Crush is the absence of some requisite dose of youthful mischief, a sense of stakes and perhaps even a lightly scandalous…

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Review of Vortex (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 29 Apr 2022

Vortex doesn’t let us off the hook. Gaspar Noé never does. But if he did, he might transcend his “Behold, you will know the dark side” brand…

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Review of Vortex (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 29 Apr 2022

Vortex doesn’t let us off the hook. Gaspar Noé never does. But if he did, he might transcend his “Behold, you will know the dark side” brand…

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Review of Crush (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Apr 2022

What’s jarring in Crush is the absence of some requisite dose of youthful mischief, a sense of stakes and perhaps even a lightly scandalous…

Read Review

Review of Crush (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Apr 2022

What’s jarring in Crush is the absence of some requisite dose of youthful mischief, a sense of stakes and perhaps even a lightly scandalous…

Read Review

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