Movie Reviews Published by Variety - Page 183 of 635

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Review of New York, I Love You (2008)

By Jay Weissberg (182) for Variety (12,700) on 30 Jan 2017

The results are, well, formulaic, hobbled by weak dialogue and absent any sense of texture…

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Review of To the Bone (2017)

By Peter Debruge (1,557) for Variety (12,700) on 29 Jan 2017

It’s not an easy sit, nor a terribly entertaining one, but in the hands of writer-director Marti Noxon, it delivers painful insights in a…

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Review of To the Bone (2017)

By Peter Debruge (1,557) for Variety (12,700) on 29 Jan 2017

It’s not an easy sit, nor a terribly entertaining one, but in the hands of writer-director Marti Noxon, it delivers painful insights in a…

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Review of Peepli Live (2010)

By Rob Nelson (320) for Variety (12,700) on 28 Jan 2017

Debuting writer-director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's…

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Review of Manifesto (2017)

By Peter Debruge (1,557) for Variety (12,700) on 28 Jan 2017

Audiences needn’t be intimidated: Manifesto may not adhere to any conventional narrative structure, but it’s compulsively watchable all the same…

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Review of Dayveon (2017)

By Guy Lodge (731) for Variety (12,700) on 28 Jan 2017

The more Dayveon attempts to up the dramatic and moral stakes of its narrative, the less persuasive it is as idiosyncratic, indigenous storytelling…

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Review of Kuso (2017)

By Dennis Harvey (1,137) for Variety (12,700) on 28 Jan 2017

The referentiality of “Kuso,” its general snark, and even its defensive self-criticism (characters state “I hate this movie…

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Review of Kung Fu Yoga (2017)

By Maggie Lee (98) for Variety (12,700) on 28 Jan 2017

As the leading man, Chan keeps the ball rolling with an assortment of neat acrobatic tricks and martial arts sparring, but his days of life-risking…

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Review of Rememory (2017)

By Guy Lodge (731) for Variety (12,700) on 28 Jan 2017

The final effect is akin to that of a Hallmark card inscribed by Christopher Nolan, and it’s that earnest self-importance of tone that finally…

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Review of My Happy Family (2017)

By Alissa Simon (80) for Variety (12,700) on 28 Jan 2017

Providing certain vivid detail but rather lacking in vitality, Ekvtimishvili’s screenplay is stronger on sociology than drama…

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Review of Golden Exits (2018)

By Guy Lodge (731) for Variety (12,700) on 28 Jan 2017

Many will accuse Perry of navel-gazing here, but that’s partly the point: Golden Exits means to frustrate, even to abrade, in its coolly…

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Review of Marjorie Prime (2017)

By Guy Lodge (731) for Variety (12,700) on 28 Jan 2017

Though it mostly resists contrived “opening-out” devices, and preserves the decidedly low-tech visualization of the play’s sci-fi premise,…

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Review of God's Own Country (2017)

By Guy Lodge (731) for Variety (12,700) on 28 Jan 2017

Skipping some of the more predictable narrative obstacles we’ve come to expect from the coming-out drama, this sexy, thoughtful, hopeful…

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Review of Patti Cake$ (2017)

By Peter Debruge (1,557) for Variety (12,700) on 28 Jan 2017

In the end, it’s the ensemble’s collective attitude, plus the palpable chemistry between Patti and her friends, that defines the experience,…

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Review of Newness (2017)

By Owen Gleiberman (3,271) for Variety (12,700) on 28 Jan 2017

The trouble with Newness — and the reason it’s shot in such a clinical vérité fashion — is that it’s a thesis movie, heady and ambitious…

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Review of The Hero (2017)

By Peter Debruge (1,557) for Variety (12,700) on 28 Jan 2017

Haley and Basch have mistaken what the AARP calls “movies for grownups” for a kind of mushy feel-good pablum, throwing together a handful…

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Review of The Hunchback of Notre Dame (1996)

By Jeremy Gerard (6) for Variety (12,700) on 27 Jan 2017

The new film should further secure Disney’s dominance in animation, and connoisseurs of the genre, old and young, will have plenty to savor…

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Review of Crown Heights (2017)

By Andrew Barker (315) for Variety (12,700) on 27 Jan 2017

Crown Heights doesn’t break much new ground, and it takes a while to find its footing, but thanks to strong, unshowy performances from Lakeith…

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Review of Roxanne Roxanne (2017)

By Owen Gleiberman (3,271) for Variety (12,700) on 27 Jan 2017

A skillful and ironically gripping coming-of-age movie: a hip-hop anti-biopic…

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Review of Brigsby Bear (2017)

By Geoff Berkshire (602) for Variety (12,700) on 27 Jan 2017

Rather than milking the outre premise for broad comedy, everyone involved strives to keep the characters and situations grounded and warm…

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