Movie Reviews Published by Trespass - Page 16 of 22

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Review of Carnage (1984)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Statically filmed by Polanski the film version lacks punch and zest…

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Review of Magic Mike (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Once you get past the thongs, the uniforms, and the sleek choreographed stripping dance routines -- admittedly, the main attraction of Magic…

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Review of Fun Size (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

A modern day revamp (of sorts) of the 1980s teen classic Adventures in Babysitting meets The Hangover for tweens, the feature debut of television…

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Review of Make-Out with Violence (2008)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

[W]hile the film tackles the subject of personal morality and ethics, it works more as a vehicle for twinkling nostalgia memories of youth…

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Review of Carnage (2002)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Statically filmed by Polanski the film version lacks punch and zest…

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Review of This Ain't California (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

The documentary examines how the American hip-hop movement-exposed to those of the GDR…

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Review of Extremely Loud & Incredibly Close (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

This movie is exquisitely made, as Daldry provides a typically classy craft effort…

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Review of Marina Abramović: The Artist Is Present (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

It's a shame that the people who really need to see Matthew Akers' transfixing debut documentary, Marina Abramović: The Artist is Present,…

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Review of Moneyball (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Australia may not exactly be mad for the game, but I suspect - I hope - that the latest film from Bennett Miller (Capote) will inspire a few…

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Review of Carnage (2014)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Statically filmed by Polanski the film version lacks punch and zest…

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Review of Sleep Tight (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

An instant must see for fans of the horror and thriller genres…

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Review of Shark Night 3D (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

When I wasn't laughing at the scenes of sharks leaping out of the water to attack their prey (in trees! on jetskis…

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Review of Dorfman in Love (2013)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

It would all be rather unbearable without the effervescent personality of Rue, who is as gifted with selling wacky slapstick as she is the…

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Review of Take This Waltz (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

[A] sunny dramedy that lulls its viewers with pseudo quirks, but which actually hides an altogether terrifying dead heart that clubs viewers…

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Review of Red State (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Smith's greatest failure with Red State is that he will provide Fred Phelps with an even bigger ego to go along with the boosted Google alerts…

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Review of Something from Nothing: The Art of Rap (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Despite its relative shortcomings, the film is a must see for anybody like me who worships the golden era of hip-hop where the artists actually…

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Review of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

One of the best, and funniest, screenplays ever written…

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Review of Amarcord (1973)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Fellini's ability to compose a frame that oozes baroque drama and vitality is almost unparalleled and Amarcord more or less succeeded for me…

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Review of W.E. (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Having gone to painstaking lengths to ensure this film assigns [Madonna] oh-so-serious directorial cred that she has sadly forsaken the very…

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Review of Carnage (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Statically filmed by Polanski the film version lacks punch and zest…

Read Review

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