Movie Reviews Published by Total Film - Page 4 of 177

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Review of Puss in Boots: The Last Wish (2022)

By Kate Stables (138) for Total Film (3,532) on 31 Jan 2023

What really elevates this sophisticated sequel is Banderas’ rich voicework, which reveals that, under Puss’ suave bluster, there’s a…

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Review of The Fabelmans (2022)

By Jamie Graham (285) for Total Film (3,532) on 23 Jan 2023

While some might have preferred this story with its edges unsmoothed, The Fabelmans is better viewed as the tale of how Spielberg’s personal…

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Review of M3GAN (2022)

By Neil Smith (699) for Total Film (3,532) on 04 Jan 2023

Precision-built to make you chortle, M3GAN is a l0t of 4un. On the fr1ghts front, however, it’s basically a Furby…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Jamie Graham (285) for Total Film (3,532) on 21 Dec 2022

It’s the filmic equivalent of a Penn and Teller magic trick: amaze, show the mechanics, amaze again…

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Review of Babylon (2022)

By Neil Smith (699) for Total Film (3,532) on 16 Dec 2022

The style might cause whiplash, but it’s worth it for the thrilling momentum Chazelle brings to his revisionist filmdom fantasia…

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Review of Babylon (2022)

By Neil Smith (699) for Total Film (3,532) on 16 Dec 2022

The style might cause whiplash, but it’s worth it for the thrilling momentum Chazelle brings to his revisionist filmdom fantasia…

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Review of Avatar: The Way of Water (2022)

By Kevin Harley (322) for Total Film (3,532) on 13 Dec 2022

James Cameron mobilizes on all fronts for an imperfect but imposing blockbuster: dazzling, supersized, rippled with currents of sincere feeling…

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Review of Strange World (2022)

By James Mottram (656) for Total Film (3,532) on 22 Nov 2022

All of this is watchable enough, but Strange World does rather lack dynamism in the final third, especially after such a hallucinatory set-up…

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Review of Strange World (2022)

By James Mottram (656) for Total Film (3,532) on 22 Nov 2022

All of this is watchable enough, but Strange World does rather lack dynamism in the final third, especially after such a hallucinatory set-up…

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Review of Aftersun (2022)

By Matt Maytum (105) for Total Film (3,532) on 18 Nov 2022

Wells has crafted a feature that gets its hooks into you before you’ve had a chance to work out what it’s doing…

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Review of Aftersun (2022)

By Matt Maytum (105) for Total Film (3,532) on 18 Nov 2022

Wells has crafted a feature that gets its hooks into you before you’ve had a chance to work out what it’s doing…

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Review of Disenchanted (2022)

By Jamie Graham (285) for Total Film (3,532) on 18 Nov 2022

It’s a delight to watch Amy Adams do Jekyll and Hyde as she incrementally transforms from cheery Giselle to noxious stepmother, while Maya…

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Review of Black Panther: Wakanda Forever (2022)

By Kevin Harley (322) for Total Film (3,532) on 08 Nov 2022

Between a fallen king and a rising threat, Marvel’s cinematic Phase 4 ends on a tender and – mostly - triumphant high…

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Review of Enola Holmes 2 (2022)

By Kevin Harley (322) for Total Film (3,532) on 27 Oct 2022

Though the action and characters are sketchily served, Brown’s match-dry lead, Bradbeer’s brisk direction, and fine support casting make…

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Review of Black Adam (2022)

By Kevin Harley (322) for Total Film (3,532) on 18 Oct 2022

Fast, fierce, fuzzy: nicely unruly, naggingly undisciplined, Johnson’s live-action DC bow strains to entertain but struggles to breathe amid…

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Review of Halloween Ends (2022)

By Jamie Graham (285) for Total Film (3,532) on 13 Oct 2022

Fans, naturally, might simply want what they came for, and leave licking wounds…

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Review of Roald Dahl's Matilda the Musical (2022)

By Neil Smith (699) for Total Film (3,532) on 06 Oct 2022

A serviceable translation of a theatrical success whose weaker elements are found wherever it veers too widely from its source…

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Review of Amsterdam (2022)

By Jamie Graham (285) for Total Film (3,532) on 04 Oct 2022

It's a rocky, at times patience-testing ride that plays something like a screwball riff on The Plot Against America, but Amsterdam is ultimately…

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Review of Empire of Light (2022)

By Neil Smith (699) for Total Film (3,532) on 12 Sep 2022

As terrific as Colman is, however, the film around her has a schematic and engineered quality not too dissimilar from Jones’ prized projectors…

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Review of Blonde (2022)

By Jane Crowther (96) for Total Film (3,532) on 08 Sep 2022

Uncomfortable viewing, then, but also engaging, unbridled cinema that will prompt discourse and divide opinions…

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