Movie Reviews Published by TheWrap - Page 59 of 161

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Review of Raise Hell: The Life & Times of Molly Ivins (2019)

By Alonso Duralde (1,351) for TheWrap (3,203) on 30 Jul 2019

“Raise Hell” reminds us of the never-ending importance of those skilled observers with the ability to speak truth to power…

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Review of Dora and the Lost City of Gold (2019)

By Yolanda Machado (67) for TheWrap (3,203) on 29 Jul 2019

The biggest challenge of an actor in any live-action update of an animated character is to make an audience that is already loyal to the original…

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Review of The Angry Birds Movie 2 (2019)

By Jason Solomons (101) for TheWrap (3,203) on 29 Jul 2019

The tone and the plot take some time to settle, but once they’ve hit their stride (and adults decide to surrender their senses and go along…

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Review of Don't Let Go (2019)

By Yolanda Machado (67) for TheWrap (3,203) on 25 Jul 2019

Despite its trappings, Relive is a family drama with a slight supernatural twist, and had Estes explored that, perhaps the film would feel…

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Review of The Great Hack (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Jul 2019

As eye-opening and propulsive as the movie is, Amer and Noujaim don’t always keep the thread of their multi-faceted narrative, which was…

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Review of The Icarus Line Must Die (2018)

By April Wolfe (199) for TheWrap (3,203) on 22 Jul 2019

If there are any takeaways from Grodner’s film, it’s that we are all powerless to stop the passage of time, and, as Future Music owner…

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Review of The Farewell (2019)

By Carlos Aguilar (278) for TheWrap (3,203) on 20 Jul 2019

The cultural subtleties Wang inserts purposefully elevate The Farewell to have not only emotional impact but also revelatory social significance…

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Review of The Amazing Johnathan Documentary (2019)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 17 Jul 2019

Out-pranking the prankster, [Berman] turns a documentary about an unpredictable subject into a meditation on what it means to make a documentary…

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Review of Crawl (2019)

By Michael Nordine (446) for TheWrap (3,203) on 12 Jul 2019

The single-minded simplicity of its plotting can at times be an asset rather than a hindrance; in a summer even more bogged down by needless…

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Review of The Lion King (2019)

By William Bibbiani (788) for TheWrap (3,203) on 11 Jul 2019

The contrast between the impossible events happening on-screen and the hyper-realism of the imagery doesn’t always work in the the movie’s favor…

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Review of Stuber (2019)

By Yolanda Machado (67) for TheWrap (3,203) on 11 Jul 2019

With a title that’s almost as lazy as its script, Stuber is a lackadaisical attempt at a “woke” buddy-cop comedy that just can’t figure…

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Review of Sword of Trust (2019)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 11 Jul 2019

As with all of Shelton’s improv-inspired movies, the plot offers plenty of interest but the personalities provide the purpose…

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Review of Armstrong (2019)

By Candice Frederick (452) for TheWrap (3,203) on 10 Jul 2019

There is intriguing subtext buried within Armstrong about who we designate as our heroes at a time of great divide, but Fairhead succeeds at…

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Review of Promare (2019)

By Carlos Aguilar (278) for TheWrap (3,203) on 10 Jul 2019

Think of Promare as a vast feast with too many flavorful offerings to taste in one seating, and where all the intricate details of how everything…

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Review of For Sama (2019)

By Steve Pond (235) for TheWrap (3,203) on 30 Jun 2019

The footage, as personal as it is horrific, is often hard to watch…

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Review of Maiden (2019)

By Monica Castillo (380) for TheWrap (3,203) on 27 Jun 2019

Holmes does an incredible job writing and directing this already action-packed narrative into an impressive documentary…

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Review of Spider-Man: Far From Home (2019)

By Alonso Duralde (1,351) for TheWrap (3,203) on 27 Jun 2019

If anything, and this is a compliment, the film frequently feels like a charming teen road-trip comedy that occasionally turns into a superhero movie…

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Review of The Chambermaid (2019)

By Carlos Aguilar (278) for TheWrap (3,203) on 26 Jun 2019

Measured in its pacing but never stagnant, The Chambermaid quietly fleshes out Eve’s subconscious with actions rather than words…

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Review of Straight Up (2020)

By Carlos Aguilar (278) for TheWrap (3,203) on 26 Jun 2019

Lighthearted in tone yet intellectually intriguing, the L.A.-set film ponders valid queries about identity, even if they’re almost entirely…

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Review of Annabelle Comes Home (2019)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 24 Jun 2019

When it comes down to it, you can’t have a strong horror movie without a strong villain…

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