Movie Reviews Published by TheWrap - Page 54 of 161

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Review of Emanuel (2019)

By Monica Castillo (380) for TheWrap (3,203) on 10 Oct 2019

Director Ivie, one of the co-founders of Arbella Studios, focuses on faith and social justice, and “Emanuel” perhaps best embodies those…

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Review of The Addams Family (2019)

By Yolanda Machado (67) for TheWrap (3,203) on 10 Oct 2019

Lieberman’s script really meets kids at their level of understanding, and yes, at times the gags were clichéd and perhaps over some kids’…

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Review of Mister America (2019)

By Candice Frederick (452) for TheWrap (3,203) on 08 Oct 2019

It’s absolutely grating to watch. Even worse, there’s not one humorous moment throughout its nearly 90-minute runtime…

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Review of Bully. Coward. Victim. The Story of Roy Cohn (2019)

By Dan Callahan (211) for TheWrap (3,203) on 06 Oct 2019

The structure here is haphazard, to say the least, and there is a serious lack of concentration and follow-through…

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Review of Semper Fi (2019)

By William Bibbiani (788) for TheWrap (3,203) on 03 Oct 2019

It gets through its storyline and makes its underscrutinized points about fidelity — it’s right there in a title — and then it’s over,…

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Review of Lucy in the Sky (2019)

By Candice Frederick (452) for TheWrap (3,203) on 03 Oct 2019

Lucy in the Sky becomes a strange experience that tries to force too many themes together at the detriment of its otherwise fascinating heroine…

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Review of Wrinkles the Clown (2019)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 03 Oct 2019

We keep getting glimpses of a compelling subject, but it’s hard to know what Nichols is really going for, since he tosses so many disparate…

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Review of Memory: The Origins of Alien (2019)

By William Bibbiani (788) for TheWrap (3,203) on 03 Oct 2019

With its passionate contributors and lofty ideas, Memory: The Origins of Alien demonstrates that, if nothing else, the study of a film can…

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Review of Dolemite Is My Name (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 03 Oct 2019

Murphy’s resplendent turn anchors a true if predictably told story of showbiz aspirations and can-do spirit, but in the great whoosh of majestically…

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Review of The Climbers (2019)

By Simon Abrams (730) for TheWrap (3,203) on 01 Oct 2019

Impressive sound design, which makes every carabiner clink and boulder impact seem monumental, and Lee’s skilled use of close-up photography…

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Review of Sweetheart (2019)

By Todd Gilchrist (762) for TheWrap (3,203) on 28 Sep 2019

Director and co-writer J.D…

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Review of Sweetheart (2019)

By Todd Gilchrist (762) for TheWrap (3,203) on 28 Sep 2019

Director and co-writer J.D…

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Review of The Irishman (2019)

By Alonso Duralde (1,351) for TheWrap (3,203) on 27 Sep 2019

This is a movie that’s rife with characters, with incidents, with ideas, with history, and as such, it will benefit from multiple viewings…

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Review of Gemini Man (2019)

By Nicholas Barber (220) for TheWrap (3,203) on 26 Sep 2019

Unfortunately, the Gemini Man that Ang Lee has finally made has such risible dialogue, such perfunctory characterization, and such rudimentary…

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Review of Sister Aimee (2019)

By Candice Frederick (452) for TheWrap (3,203) on 26 Sep 2019

The gendered themes at play here do little to boost the quality of Buck and Schlingmann’s storytelling, which is too tangled to follow at times…

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Review of Abominable (2019)

By Yolanda Machado (67) for TheWrap (3,203) on 26 Sep 2019

Nothing here truly changes animation, and yet, you can’t help but walk out of the theater with a smile on your face…

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Review of The Golden Glove (2019)

By Michael Nordine (446) for TheWrap (3,203) on 26 Sep 2019

The whole affair feels, quite simply, icky in a way that superior projects like “Zodiac” and “Memories of Murder” never do; to his…

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Review of The Death of Dick Long (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 26 Sep 2019

The Death of Dick Long may be a made-up story, but inside this crisis management suspense-comedy is a weirdly down-to-earth humanity about…

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Review of Judy (2019)

By Alonso Duralde (1,351) for TheWrap (3,203) on 25 Sep 2019

Somehow, through the alchemy of acting and makeup and lighting and costuming, all traces of Zellweger are erased, and only Judy remains…

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Review of Judy (2019)

By Alonso Duralde (1,351) for TheWrap (3,203) on 25 Sep 2019

Somehow, through the alchemy of acting and makeup and lighting and costuming, all traces of Zellweger are erased, and only Judy remains…

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