Movie Reviews Published by TheWrap - Page 49 of 161

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Review of Blast Beat (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 28 Jan 2020

Niche as some of the situations Arango poses are, his movie is the rare work of art that viscerally understands the immigrant experience but…

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Review of Downhill (2020)

By Alonso Duralde (1,351) for TheWrap (3,203) on 27 Jan 2020

Anyone who sees this new movie without having watched the original will certainly enjoy the lead performances, but they’ll be getting the…

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Review of On the Record (2020)

By Candice Frederick (452) for TheWrap (3,203) on 26 Jan 2020

It does what so little of the dialogue has managed to do: implore audiences to embrace black female survivors and to understand the cultural…

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Review of Possessor (2020)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 26 Jan 2020

As both writer and director, Cronenberg focuses so intently on the surface that he neglects to include enough substance…

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Review of The Forty-Year-Old Version (2020)

By Candice Frederick (452) for TheWrap (3,203) on 26 Jan 2020

It’s understandable that The 40-Year-Old Version is intentionally scattered, because it is about a woman grasping at straws in order to find…

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Review of Shirley (2020)

By Carlos Aguilar (278) for TheWrap (3,203) on 26 Jan 2020

Decker is a superbly imaginative director, which leaves one wishing her creative powers had pushed the film even further away from the constraints…

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Review of Never Rarely Sometimes Always (2020)

By Robert Abele (1,309) for TheWrap (3,203) on 25 Jan 2020

Hittman wades into one of the more charged subjects of our time — abortion access — with the kind of sensitivity, focus and detail that…

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Review of Cuties (2020)

By Carlos Aguilar (278) for TheWrap (3,203) on 25 Jan 2020

Bolstered by an infectiously reckless joie de vivre and artfully handled hard-hitting truths, Cuties diffuses the impulse to dismiss it as…

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Review of Cuties (2020)

By Carlos Aguilar (278) for TheWrap (3,203) on 25 Jan 2020

Bolstered by an infectiously reckless joie de vivre and artfully handled hard-hitting truths, Cuties diffuses the impulse to dismiss it as…

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Review of The Assistant (2020)

By Candice Frederick (452) for TheWrap (3,203) on 25 Jan 2020

While the filmmaker rightly understands that shock value isn’t the only way to tell a visceral story, its central performance by Julia Garner…

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Review of The Assistant (2020)

By Candice Frederick (452) for TheWrap (3,203) on 25 Jan 2020

While the filmmaker rightly understands that shock value isn’t the only way to tell a visceral story, its central performance by Julia Garner…

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Review of The Turning (2020)

By Dan Callahan (211) for TheWrap (3,203) on 23 Jan 2020

The Turning is not a total loss…

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Review of The Last Full Measure (2020)

By Candice Frederick (452) for TheWrap (3,203) on 22 Jan 2020

At its core, The Last Full Measure is a poignant reevaluation of gallantry and of how survivor’s guilt impacts those veterans whose lives…

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Review of Bad Boys for Life (2020)

By Robert Abele (1,309) for TheWrap (3,203) on 15 Jan 2020

The stars certainly aren’t acting like their participation is a mercenary endeavor…

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Review of Dolittle (2020)

By Alonso Duralde (1,351) for TheWrap (3,203) on 15 Jan 2020

Dolittle doesn’t have a fraction of the verve of the similarly misguided “Cats,” but it does share with that movie a staggering amount…

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Review of Like a Boss (2020)

By Candice Frederick (452) for TheWrap (3,203) on 08 Jan 2020

Like a Boss is vibrant and sometimes funny, but rarely heartfelt and entirely stale…

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Review of Underwater (2020)

By Yolanda Machado (67) for TheWrap (3,203) on 07 Jan 2020

I felt frustrated walking out of Underwater: Here’s a movie with good production values, a great leading actress, and a fantastic score,…

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Review of The Grudge (2019)

By Todd Gilchrist (762) for TheWrap (3,203) on 02 Jan 2020

The Grudge 2020 is a prestige drama sidelined by lackluster, incoherent horror, ruining the scares and undercutting the humanity of its characters…

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Review of The Song of Names (2019)

By Simon Abrams (730) for TheWrap (3,203) on 23 Dec 2019

There’s ultimately too much strained seriousness in The Song of Names' dramatically flimsy and symbolically heavy episodic narrative, making…

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Review of Clemency (2019)

By Candice Frederick (452) for TheWrap (3,203) on 23 Dec 2019

Clemency is a film that is just almost great…

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