Movie Reviews Published by TheWrap - Page 19 of 161

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Review of Elvis (2022)

By Steve Pond (235) for TheWrap (3,203) on 25 May 2022

There’s enough energy and flash, though, to overcome most nit-picking, and Butler throws himself into a performance that’s wildly physical…

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Review of Decision to Leave (2022)

By Steve Pond (235) for TheWrap (3,203) on 24 May 2022

Richly dramatic and at times confounding, it’s a gorgeous piece of work that has the ability to move you in one moment and leave you cold…

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Review of Corsage (2022)

By Nicholas Barber (220) for TheWrap (3,203) on 23 May 2022

Ultimately, Corsage is a deeply sympathetic portrait of Elisabeth, enhanced by Krieps’ delightful performance…

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Review of Moonage Daydream (2022)

By Steve Pond (235) for TheWrap (3,203) on 23 May 2022

Moonage Daydream is a bracing, gloriously messy (or, more likely, gloriously messy seeming) celebration and immersion in all things Bowie…

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Review of Crimes of the Future (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 23 May 2022

At his most memorable, Cronenberg creates viscerally unforgettable images that horrify, yes, but they also provoke with big, shocking ideas…

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Review of Fire Island (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 23 May 2022

Even with its raunchier aspects, the film’s devotion to plotting the course of true love would probably meet with Miss Austen’s approval…

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Review of Fire Island (2023)

By Alonso Duralde (1,351) for TheWrap (3,203) on 23 May 2022

Even with its raunchier aspects, the film’s devotion to plotting the course of true love would probably meet with Miss Austen’s approval…

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Review of The Bob's Burgers Movie (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 23 May 2022

It’s a tricky balance to build a world where characters are both absurd and believable — and on top of that, exist in a world where musical…

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Review of Aftersun (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 22 May 2022

That a director can summon such emotional maturity paired with grand narrative originality in her first outing, particularly working from a…

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Review of One Fine Morning (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 22 May 2022

Like a weaver on a loom, Hansen-Løve loops these moments together, threading small moments of thought-provoking social commentary throughout,…

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Review of Aftersun (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 22 May 2022

That a director can summon such emotional maturity paired with grand narrative originality in her first outing, particularly working from a…

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Review of Armageddon Time (2022)

By Steve Pond (235) for TheWrap (3,203) on 20 May 2022

It’s an acerbic, tough look back, which makes it a rarity in a genre that often (and sometimes effectively) dons rose-colored glasses…

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Review of The Valet (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 18 May 2022

The central relationship of “The Valet” is the weakest part of the film, and much of the comedy is a bit tiresome, though a few bits do pop…

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Review of Monstrous (2022)

By Ronda Racha Penrice (28) for TheWrap (3,203) on 13 May 2022

Monstrous offers a strong premise and some fresh twists, particularly in a genre where gimmicky filmmaking has prevailed…

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Review of Firestarter (2022)

By William Bibbiani (788) for TheWrap (3,203) on 13 May 2022

The new Firestarter is a lot like the old Firestarter, if the old Firestarter was duller, cheaper, and devoid of almost all meaning…

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Review of Montana Story (2022)

By Lena Wilson (121) for TheWrap (3,203) on 13 May 2022

Montana Story remains a worthwhile exercise, largely because it puts two stellar actors through a monumental emotional gauntlet, and they pass…

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Review of Top Gun: Maverick (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 12 May 2022

In the end, Top Gun: Maverick counts as a worthy sequel in that it succeeds and fails in many of the same ways as the original…

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Review of The Takedown (2022)

By Karama Horne (2) for TheWrap (3,203) on 07 May 2022

Ultimately, The Takedown is a goofy retro buddy cop movie with decent action scenes at best…

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Review of Jazz Fest: A New Orleans Story (2022)

By Steve Pond (235) for TheWrap (3,203) on 04 May 2022

It’s a history lesson you can dance to, and at times it’s an unexpectedly mournful and moving portrait of a city that has an intimate relationship…

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Review of Doctor Strange in the Multiverse of Madness (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 03 May 2022

The follow-up to 2016’s “Doctor Strange” hits the ooh-and-aah marks we expect from a well-crafted Marvel adventure, but even with Sam…

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