Movie Reviews Published by TheWrap - Page 17 of 161

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Review of Both Sides of the Blade (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 08 Jul 2022

A slow burn that never quite bursts into flame, Both Sides of the Blade is likely to appeal most to those who are already fans of director…

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Review of Dreaming Walls (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 08 Jul 2022

In remaining present, with the past and future swirling feverishly, the film is a deeply poignant and moving love letter to those that remain,…

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Review of Fire of Love (2022)

By William Bibbiani (788) for TheWrap (3,203) on 06 Jul 2022

Fire of Love is a wholly satisfying, overwhelming documentary, as disarming as it is explosive…

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Review of Thor: Love and Thunder (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 05 Jul 2022

If this latest one was aiming to mix it up by giving equal weight to the masks of comedy and tragedy, it’s an effort that falls short…

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Review of Minions: The Rise of Gru (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 30 Jun 2022

As lackluster as this scattered-brained saga is, the animation team of “The Rise of Gru” does excel at constantly reminding us that we…

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Review of Sniper: The White Raven (2022)

By Simon Abrams (730) for TheWrap (3,203) on 29 Jun 2022

While Sniper: The White Raven sometimes delivers solid meat-and-potatoes action movie violence, the rest of the film only confirms the hellish…

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Review of Beba (2022)

By Ronda Racha Penrice (28) for TheWrap (3,203) on 24 Jun 2022

It’s never easy for anyone to offer themselves for public inspection, even when personal expression is the key…

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Review of Flux Gourmet (2022)

By Dave White (762) for TheWrap (3,203) on 23 Jun 2022

It is by turns scatological, hilarious, art-referential and, ultimately, moving…

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Review of The Black Phone (2022)

By Simon Abrams (730) for TheWrap (3,203) on 20 Jun 2022

Derrickson and Cargill successfully tailor their focused and mostly compelling narrative to a Steven Spielberg/Amblin Entertainment–esque…

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Review of Mr Malcolm's List (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 20 Jun 2022

Jones’ debut is stuffed to the brim with the sharp dialogue and rich costumes that bring us back to the period romance genre again and again…

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Review of Wildhood (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 17 Jun 2022

Though the ending leaves most narrative loose ends untied, there’s a nurturing wisdom Link acquires from those he meets over the course of…

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Review of Alone Together (2022)

By Martin Tsai (390) for TheWrap (3,203) on 16 Jun 2022

Alone Together frequently hints at Holmes’ gifts as a storyteller, so it’s disappointing that she has a proclivity for romance-novel fodder…

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Review of Alone Together (2022)

By Martin Tsai (390) for TheWrap (3,203) on 16 Jun 2022

Alone Together frequently hints at Holmes’ gifts as a storyteller, so it’s disappointing that she has a proclivity for romance-novel fodder…

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Review of The Lost Girls (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 16 Jun 2022

The Lost Girls gets stuck somewhere in the middle of magical realism and a gritty psychological exploration of what it means to believe in…

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Review of Abandoned (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 15 Jun 2022

A listless thriller that can’t find its footing, Abandoned does occasionally rouse itself enough to suggest a better movie that never comes to pass…

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Review of Brian and Charles (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 15 Jun 2022

Earl and Hayward developed these characters first as a live stand-up show and then in a short film, and natural chemistry and cheeky rapport…

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Review of Abandoned (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 15 Jun 2022

A listless thriller that can’t find its footing, Abandoned does occasionally rouse itself enough to suggest a better movie that never comes to pass…

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Review of Abandoned (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 15 Jun 2022

A listless thriller that can’t find its footing, Abandoned does occasionally rouse itself enough to suggest a better movie that never comes to pass…

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Review of Father of the Bride (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 13 Jun 2022

For their reinvention of Father of the Bride, Alazraki and Lopez manage to make it feel so rooted in the Latino background of their characters…

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Review of Lightyear (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 13 Jun 2022

Rather than play like a significant departure from the “Toy Story” films that spawned it, Lightyear instead emerges as a disappointing…

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