Movie Reviews Published by TheWrap - Page 15 of 161

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Review of Three Minutes: A Lengthening (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 17 Aug 2022

The truth is that even at 71 minutes much of this film feels padded, as though Stigter couldn’t let go of the subject but also wasn’t sure…

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Review of Orphan: First Kill (2022)

By Lena Wilson (121) for TheWrap (3,203) on 15 Aug 2022

“First Kill” takes the best part of its predecessor — its camp value — and dials things up to 11, delivering a movie that demands to…

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Review of Emily the Criminal (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 12 Aug 2022

In 95 minutes, Ford unfurls a gritty and suspenseful L.A…

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Review of Free Chol Soo Lee (2022)

By Lena Wilson (121) for TheWrap (3,203) on 12 Aug 2022

In the documentary Free Chol Soo Lee, first-time doc directors Julie Ha and Eugene Yi use archival materials in an attempt to present their…

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Review of Rogue Agent (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 12 Aug 2022

Rogue Agent is plenty fascinated by the abridged version of this saga — bad men are out there — but you’ll wish for that darker, less…

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Review of Let the Little Light Shine (2022)

By Ronda Racha Penrice (28) for TheWrap (3,203) on 12 Aug 2022

There is an intimacy in the doc — as NTA’s drama continues to unfold, there is no indication that the activists will be triumphant, only…

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Review of Summering (2022)

By William Bibbiani (788) for TheWrap (3,203) on 11 Aug 2022

James Ponsoldt (“The Spectacular Now”) keeps his film permanently trapped in a liminal space between childhood and adolescence, where magic…

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Review of Day Shift (2022)

By Karama Horne (2) for TheWrap (3,203) on 11 Aug 2022

Day Shift doesn’t offer much in the way of surprises, but audiences whose taste runs to horror comedies that are heavy on action and light…

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Review of Girl Picture (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 11 Aug 2022

Girl Picture is a thoughtful, funny, and empathetic look at lives in flux…

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Review of Mack & Rita (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 10 Aug 2022

Mack & Rita is silly, but it’s a strong, necessary kind of silly, a warm and embracing kind of silly…

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Review of Laal Singh Chaddha (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 09 Aug 2022

Aside from how unnecessary remakes tend to be, what’s imperative is to consider whether a story with such a simplistically offensive depiction…

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Review of I Love My Dad (2022)

By William Bibbiani (788) for TheWrap (3,203) on 05 Aug 2022

Whether you laugh with I Love My Dad or never shake the queasy feeling in your stomach, Morosini’s film is remarkably sensitive and eerily…

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Review of Easter Sunday (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 04 Aug 2022

Hints of Koy’s stage charm burst through occasionally in Easter Sunday — mostly because he’s also playing a comedian trying to hit the…

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Review of Bodies Bodies Bodies (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 04 Aug 2022

There’s an inherent push and pull to Bodies Bodies Bodies, a movie that wants to be a send-up for a certain type of young person but also…

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Review of Claydream (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 04 Aug 2022

Through copious clips of studio work and bittersweet interviews with Vinton, his former colleagues, and his family members, we get a sense…

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Review of Prey (2022)

By William Bibbiani (788) for TheWrap (3,203) on 03 Aug 2022

Prey is a glorious monster flick, a sly revisionist Western and a really cool “Predator” sequel for viewers who don’t mind a little fan…

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Review of Prey (2022)

By William Bibbiani (788) for TheWrap (3,203) on 03 Aug 2022

Prey is a glorious monster flick, a sly revisionist Western and a really cool “Predator” sequel for viewers who don’t mind a little fan…

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Review of Mija (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 03 Aug 2022

The film’s best scenes are, in a way, the flip side to its weaker ones: the closeness between Castro and her subjects lessens their objectivity…

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Review of Bullet Train (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 02 Aug 2022

All Bullet Train had to be was high-gloss, all-star, late-summer nonsense, but instead it gives high-gloss, all-star, late-summer nonsense a bad name…

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Review of Medusa (2022)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 29 Jul 2022

Though the religious component is written broadly, the impact is hardly more surreal than many elements of 21st-century reality…

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