Movie Reviews Published by The Verge - Page 5 of 22

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Review of Mercury 13 (2018)

By Alessandra Potenza (1) for The Verge (432) on 28 Dec 2018

But their determination and commitment did manage to inspire other women to pursue careers in spaceflight…

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Review of Bumblebee (2018)

By Bryan Bishop (118) for The Verge (432) on 20 Dec 2018

It isn’t a flawless movie, and it nearly descends into self-parody at times, but after a decade of Bay’s rock-’em sock-’em battles,…

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Review of Welcome to Marwen (2018)

By Jesse Hassenger (800) for The Verge (432) on 20 Dec 2018

It’s both a calculated attempt to recapture some of the emotional magic of his successes, and a clinical analysis of how exactly humanistic…

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Review of Aquaman (2018)

By Devon Maloney (1) for The Verge (432) on 19 Dec 2018

There’s a level of self-awareness in Aquaman’s more grandiose images and plot movements that’s certainly been missing from previous DC…

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Review of Fantastic Beasts: The Crimes of Grindelwald (2018)

By Chaim Gartenberg (1) for The Verge (432) on 28 Nov 2018

Hopefully, future installments will learn the lessons of The Last Jedi and start to reflect that by taking some risks, leaving this familiar…

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Review of Spider-Man: Into the Spider-Verse (2018)

By Bryan Bishop (118) for The Verge (432) on 28 Nov 2018

Spider-Man: Into the Spider-Verse is a raucous, smart, self-referential adventure…

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Review of Cam (2018)

By Bryan Bishop (118) for The Verge (432) on 18 Nov 2018

Cam focuses less on the real ways technology can be weaponized, and more on how vulnerable people can feel when their online identities are…

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Review of Prospect (2018)

By Bryan Bishop (118) for The Verge (432) on 16 Nov 2018

The film hinges on Sophie Thatcher’s performance as Cee…

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Review of Ralph Breaks the Internet (2018)

By Bryan Bishop (118) for The Verge (432) on 14 Nov 2018

Where the original film poked fun at games, this time, the subject of critique is the company’s own legacy…

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Review of Overlord (2018)

By Bryan Bishop (118) for The Verge (432) on 12 Nov 2018

It’s big, nerve-wracking, and utterly ridiculous at times — but it is a hell of a lot of fun along the way…

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Review of Fantastic Beasts: The Crimes of Grindelwald (2018)

By Tasha Robinson (753) for The Verge (432) on 08 Nov 2018

For the serious fans who this series is meant for, the promise of at least six more hours of Fantastic Beasts action likely means a lot more…

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Review of Suspiria (2018)

By Bryan Bishop (118) for The Verge (432) on 22 Oct 2018

The result is unlikely to be as influential as Argento’s movie, and it will test some viewers’ patience, but it’s still a bold, hypnotic…

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Review of The Thinning (2016)

By Adi Robertson (27) for The Verge (432) on 22 Oct 2018

The film seems utterly indifferent toward its own subject matter…

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Review of Apostle (2018)

By Tasha Robinson (753) for The Verge (432) on 11 Oct 2018

But for the most part, it's a breathlessly oppressive experience, a dark and sometimes strikingly beautiful film that lives up to its most…

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Review of The Happytime Murders (2018)

By Bryan Bishop (118) for The Verge (432) on 07 Oct 2018

It’s frustrating that a movie that seems so improbable actually got made, only to fall so incredibly short…

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Review of The Predator (2018)

By Bryan Bishop (118) for The Verge (432) on 07 Oct 2018

The Predator comes across like it’s too timid to fully commit in any one direction, perhaps for fear of alienating some potential segment…

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Review of Venom (2018)

By Bryan Bishop (118) for The Verge (432) on 01 Oct 2018

It’s a train wreck of a movie, mixing and matching wildly dissonant tones, bizarre plot contrivances, and a truly unique lead performance…

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Review of 306 Hollywood (2018)

By Tasha Robinson (753) for The Verge (432) on 25 Sep 2018

The siblings address their family through a Wes Anderson lens, with a tone so playful and visually poetic that it drops into surrealism…

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Review of Destroyer (2018)

By Bryan Bishop (118) for The Verge (432) on 24 Sep 2018

It’s a strong film, directed with confidence and a trust that the audience will be able to keep up, no matter how convoluted the narrative becomes…

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Review of The House with a Clock in Its Walls (2018)

By Tasha Robinson (753) for The Verge (432) on 24 Sep 2018

The book is a charmingly quaint, deeply eerie supernatural mystery about grief, necromancy, and the apocalypse…

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