Movie Reviews Published by The Verge - Page 16 of 22

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Review of Green Room (2016)

By Emily Yoshida (237) for The Verge (432) on 25 Apr 2016

While Green Room shares an aesthetic sensibility with his last film (he shot and directed all his features), Saulnier is up to something very…

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Review of The Jungle Book (2016)

By Tasha Robinson (753) for The Verge (432) on 25 Apr 2016

Favreau and Marks’ version is surprisingly daring in its use of violence, and its physical and emotional darkness…

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Review of The Boss (2016)

By Tasha Robinson (753) for The Verge (432) on 25 Apr 2016

The script glosses over everything that's important to the characters, which makes them vague and poreless…

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Review of Elvis & Nixon (2016)

By Tasha Robinson (753) for The Verge (432) on 25 Apr 2016

Elvis & Nixon is at its best when it sticks to what-if whimsy and the enjoyable fantasy of worlds colliding, with all the outlandish possibilities…

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Review of The Jungle Book (1994)

By Tasha Robinson (753) for The Verge (432) on 25 Apr 2016

Favreau and Marks’ version is surprisingly daring in its use of violence, and its physical and emotional darkness…

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Review of Sing Street (2016)

By Tasha Robinson (753) for The Verge (432) on 25 Apr 2016

Carney’s emphasis is more on performance than craftsmanship…

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Review of The Jungle Book (1967)

By Tasha Robinson (753) for The Verge (432) on 25 Apr 2016

Favreau and Marks’ version is surprisingly daring in its use of violence, and its physical and emotional darkness…

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Review of Confirmation (2016)

By Tasha Robinson (753) for The Verge (432) on 14 Apr 2016

In spite of all the behind-the-scenes tension, the film often lacks a vital spark…

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Review of Everybody Wants Some!! (2016)

By Bryan Bishop (118) for The Verge (432) on 23 Mar 2016

Linklater is in many ways a kind of movie secret agent, making films that are unconventional in form and function, but so effortlessly entertaining…

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Review of Batman v Superman: Dawn of Justice (2016)

By Tasha Robinson (753) for The Verge (432) on 23 Mar 2016

Batman v Superman addresses Man Of Steel's problems in words without learning anything from it in tone…

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Review of Pee-wee's Big Holiday (2016)

By Bryan Bishop (118) for The Verge (432) on 23 Mar 2016

This is a movie more about friendship and acceptance than anything else, and Pee-wee seeing so much of himself in someone like Manganiello…

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Review of Krisha (2016)

By Tasha Robinson (753) for The Verge (432) on 16 Mar 2016

For a first film, made on a shoestring with a largely non-professional cast, Krisha is remarkably textured…

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Review of Creative Control (2016)

By Bryan Bishop (118) for The Verge (432) on 10 Mar 2016

While it may not be entirely successful, it’s a film filled with clever insights, driven by the kind of sharp filmmaking voice that can push…

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Review of Midnight Special (2016)

By Tasha Robinson (753) for The Verge (432) on 09 Mar 2016

The film moves effortlessly, with plenty of tense thrills and surprise reveals. It’s relentless, but rarely rushed…

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Review of 10 Cloverfield Lane (2016)

By Bryan Bishop (118) for The Verge (432) on 09 Mar 2016

The film barrels through a variety of emotional colors: scares, laughs, moments of emotional vulnerability, and it’s a testament to director…

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Review of Whiskey Tango Foxtrot (2016)

By Tasha Robinson (753) for The Verge (432) on 04 Mar 2016

It's a frequently funny film that comes packed with the thrills of real combat, with real consequences for the characters…

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Review of Knight of Cups (2015)

By Bryan Bishop (118) for The Verge (432) on 02 Mar 2016

Filled with flashes of visual beauty and a fistful of interesting ideas, Knight of Cups is — like much of Malick’s most recent work —…

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Review of Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

By Tasha Robinson (753) for The Verge (432) on 02 Mar 2016

It's a little unfair to any sequel to use its predecessor as a yardstick rather than considering it on its own merit, but in this case, it's…

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Review of Race (2016)

By Tasha Robinson (753) for The Verge (432) on 21 Feb 2016

Race is exactly the kind of film the Academy loves to honor: bland, uplifting, respectable, engaged with historical social issues, but not…

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Review of The Witch (2016)

By Bryan Bishop (118) for The Verge (432) on 21 Feb 2016

Eggers’ filmmaking is bold, confident, and endlessly patient, luring the viewer into a world that is seductive in its barren beauty and measured…

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