Movie Reviews Published by The Telegraph - Page 13 of 56

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Review of Breaking (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 23 Jan 2022

The film fares best when the chief negotiator, a fellow Marine vet played by the late, great Michael Kenneth Williams, steps into the fray…

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Review of Fresh (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 23 Jan 2022

The film gets too caught up in its svelte, talky stylings to stay properly watertight as a suspense piece, and when it goes for broke in the…

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Review of Brian Wilson: Long Promised Road (2021)

By Neil Mccormick (5) for The Telegraph (1,120) on 21 Jan 2022

Long Promised Road doesn’t really bring us any closer to comprehending the inner workings of Brian Wilson’s extraordinary mind, but it…

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Review of Nightmare Alley (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 21 Jan 2022

A terrific, despair-drenched final scene is the viewer’s reward for staying the course: pitilessly cruel, spare and shivery, it’s got everything…

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Review of Four Hours at the Capitol (2021)

By Anita Singh (9) for The Telegraph (1,120) on 21 Jan 2022

The anger of the protesters that day was clear but in this documentary they were a variety of calm, smug and deluded…

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Review of Ascension (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 14 Jan 2022

As a giant window on all this toil, the film is full of news, insights and revelations without pushing a dogmatic thesis: it’s as open-ended…

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Review of C'mon C'mon (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 10 Jan 2022

While it’s fully grounded as a family portrait, overlaid on it still is that type of cosmic optimism which makes Mills’s work so lovely…

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Review of The 355 (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Jan 2022

Rather than doing anything novel or surprising with the basic spies-gone-rogue template, The 355 just repackages it in girl-power wrapping…

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Review of Boiling Point (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 06 Jan 2022

Boiling Point grips remorselessly while it’s spinning all these plates, and somehow ladles onto them a smorgasbord of great, frazzled acting…

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Review of Munich - The Edge of War (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Jan 2022

In place of depth, MacKay and Niewöhner invest Legat and Hartmann’s relationship with a watchable if uncomplicated friction, but it’s…

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Review of The Electrical Life of Louis Wain (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 01 Jan 2022

The distinctive charms of Wain’s aesthetic certainly come over, especially daubed across the lovely end credits, by which time this jumpy…

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Review of The Humans (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 01 Jan 2022

It gives you a family hanging on by a thread, and makes the careful tending of that thread feel so desperate it’s more than a little terrifying…

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Review of Revolution of Our Times (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 22 Dec 2021

It shows so much blood being spilled in the name of democracy, and so many tears shed, that it’s next-to-impossible not to be fired up…

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Review of The Matrix Resurrections (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 21 Dec 2021

There are snatches of fun to be had early on, before the teasing gimmickry about reality and fakery expires…

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Review of Swan Song (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 18 Dec 2021

The film frustrates because it’s frictionless, almost completely devoid of credible conflict, and generally keen to sail through as a testament…

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Review of Spider-Man: No Way Home (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 15 Dec 2021

It is what these films always are – source material for its own advertising campaign – but in this instance, it’s little more, which…

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Review of The King's Man (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 14 Dec 2021

So no, The King’s Man doesn’t take itself especially seriously – until it suddenly, jarringly does…

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Review of Bruised (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 10 Dec 2021

As a debut, it’s grungy, overscaled and rarely far from cliché. But it also has guts, and there’s a vigour to the acting that pulls it through…

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Review of Ghostbusters: Afterlife (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 10 Dec 2021

The effects have a pleasingly retro patina, but the action itself is drab, the jokes scarce, while the town itself is both entirely characterless…

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Review of Home Sweet Home Alone (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 10 Dec 2021

We’d give the lazy set-up a pass if sufficiently fun things started happening off the back of it…

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