Movie Reviews Published by The Seattle Times - Page 8 of 49

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Review of Being the Ricardos (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 09 Dec 2021

Sometimes, miscasting can be very interesting, in the hands of an actor who knows what she’s doing — and Kidman is definitely that…

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Review of West Side Story (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 02 Dec 2021

And the 89-year-old Moreno, creating an effortless bridge between this movie and the previous one, gives us a gift late in the film that had…

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Review of House of Gucci (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 23 Nov 2021

House of Gucci is no masterpiece, but it’s often crazy good fun…

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Review of Ghostbusters: Afterlife (2021)

By Soren Andersen (496) for The Seattle Times (964) on 18 Nov 2021

You wait and you wait, through many overamped special-effects action sequences, for the cavalry to save the day, but by the time it finally…

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Review of The Power of the Dog (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 17 Nov 2021

It’s a unique ride of a movie, beautiful and disturbing and haunting — in other words, it’s a Jane Campion film…

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Review of King Richard (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 16 Nov 2021

King Richard, though perhaps a tad overlong, is as irresistible as the young legends at its center; you watch with pleasure, thinking of the…

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Review of Belfast (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 10 Nov 2021

Shot in soft black-and-white, with color occasionally peering in at the movie houses where Buddy spends rapt hours, Belfast is brief, tidy…

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Review of Clifford the Big Red Dog (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 09 Nov 2021

Clifford the Big Red Dog has a decidedly innocent throwback appeal…

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Review of Spencer (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 04 Nov 2021

You watch wishing this story, in the real world, could have had a different ending; and marveling at how Stewart finds new, close-to-the-bone…

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Review of Antlers (2021)

By Soren Andersen (496) for The Seattle Times (964) on 28 Oct 2021

Director Scott Cooper really lays it on thick. He brings no modulation to the horror elements in his frightfest…

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Review of Eternals (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 27 Oct 2021

It’s a long sit, but a day later I find myself still thinking about Chan’s quiet, mesmerizing presence at the film’s center, and how…

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Review of Last Night in Soho (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 26 Oct 2021

Though Wright can’t quite sustain the tension through the final half-hour, Last Night in Soho is full of dark pleasures…

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Review of The Electrical Life of Louis Wain (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 21 Oct 2021

Ultimately, The Electrical Life of Louis Wain is made enjoyable by its human and feline actors, despite the sadness of the material, and it…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 18 Oct 2021

The French Dispatch is an elegant ode to good writing, and to those who quietly stand behind the words…

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Review of The Last Duel (2021)

By Soren Andersen (496) for The Seattle Times (964) on 13 Oct 2021

Director Ridley Scott, who knows a thing or two about how to mount sweeping historical epics (see “Gladiator”), is in his element here…

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Review of The Addams Family 2 (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 01 Oct 2021

The Addams Family 2 feels as if it’s lost the spark of the first one…

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Review of No Time to Die (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 30 Sep 2021

No Time to Die has moments of pleasure, lots of them, but ultimately it feels heavy in a way a Bond movie shouldn’t; its pacing is off and…

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Review of Dear Evan Hansen (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 23 Sep 2021

The effort put into making this film work is palpable, but the result is something deeply surreal and strange…

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Review of Blue Bayou (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 15 Sep 2021

As Chon calibrates a wide variety of emotions, allowing space for all the agonies, ecstasies, repressions and excesses, he crafts a tale of…

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Review of The Card Counter (2021)

By Soren Andersen (496) for The Seattle Times (964) on 09 Sep 2021

In fact it’s really writer-director Schrader who is Isaac’s true co-star in “The Card Counter.” A product of a strict Calvinist upbringing…

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