Movie Reviews Published by The Ringer - Page 7 of 15

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Review of First Reformed (2018)

By Adam Nayman (350) for The Ringer (285) on 20 May 2018

This scenario is serious almost to the point of silliness: It could be parody of a morality play…

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Review of Deadpool 2 (2018)

By Sean Fennessey (47) for The Ringer (285) on 17 May 2018

The one true value of Deadpool is his eagerness-and Reynolds's chatty, hyena-like motormouth is a perfect vessel-to say it all...the truth…

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Review of Deadpool 2 (2018)

By Miles Surrey (15) for The Ringer (285) on 17 May 2018

Deadpool 2's meta-heavy brilliance-and really, the best part of the film-comes when you stick around for the post-credits scenes.The movie's…

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Review of Book Club (2018)

By Lindsay Zoladz (8) for The Ringer (285) on 17 May 2018

Even when it flirts with self-parody, though, Book Club is far and away the most enjoyable Diane Keaton movie in years…

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Review of Ali Wong: Hard Knock Wife (2018)

By Alison Herman (12) for The Ringer (285) on 13 May 2018

Where Baby Cobra saw Wong feign longing for a more traditional kind of femininity, in Hard Knock Wife she addresses the financial realities…

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Review of I Feel Pretty (2018)

By Alison Herman (12) for The Ringer (285) on 18 Apr 2018

I Feel Pretty isn't just a regression from Inside Amy Schumer; it's a less shrewd treatment of almost identical themes…

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Review of A Quiet Place (2016)

By Sean Fennessey (47) for The Ringer (285) on 12 Apr 2018

Like A Quiet Place itself, seeing the movie in a theater is a collective, quiet act, without distraction…

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Review of A Quiet Place (2018)

By Sean Fennessey (47) for The Ringer (285) on 12 Apr 2018

Like A Quiet Place itself, seeing the movie in a theater is a collective, quiet act, without distraction…

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Review of A Quiet Place (2018)

By K. Austin Collins (343) for The Ringer (285) on 04 Apr 2018

Krasinski may take it all very seriously, but that doesn't make it serious…

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Review of A Quiet Place (2016)

By K. Austin Collins (343) for The Ringer (285) on 04 Apr 2018

Krasinski may take it all very seriously, but that doesn't make it serious…

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Review of Ready Player One (2018)

By Adam Nayman (350) for The Ringer (285) on 03 Apr 2018

Turns out that treating the movies entirely as a jungle gym brings out Peter Pan's inner brat. He's made a movie for lost boys…

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Review of Unsane (2018)

By K. Austin Collins (343) for The Ringer (285) on 23 Mar 2018

Unsane is easy to treat like a parlor trick, a movie more interesting for how Soderbergh is trying to disrupt the Hollywood system than for…

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Review of Isle of Dogs (2018)

By K. Austin Collins (343) for The Ringer (285) on 22 Mar 2018

Wes Anderson's canine love story is a cultural crosscurrent-Japan by way of America by way of Japan-that maximizes the director's impeccable…

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Review of Love, Simon (2018)

By K. Austin Collins (343) for The Ringer (285) on 16 Mar 2018

It's a premise that understands a the key takeaways of the closet, which is that sexuality is a valuable piece of intel…

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Review of The Strangers (2011)

By Adam Nayman (350) for The Ringer (285) on 09 Mar 2018

Bertino's directorial smarts are on display from the first slow-cut montage of rural homes glimpsed from the window of a moving car…

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Review of The Strangers (1980)

By Adam Nayman (350) for The Ringer (285) on 09 Mar 2018

Bertino's directorial smarts are on display from the first slow-cut montage of rural homes glimpsed from the window of a moving car…

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Review of The Strangers (2008)

By Adam Nayman (350) for The Ringer (285) on 09 Mar 2018

Bertino's directorial smarts are on display from the first slow-cut montage of rural homes glimpsed from the window of a moving car…

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Review of A Wrinkle in Time (2018)

By K. Austin Collins (343) for The Ringer (285) on 09 Mar 2018

There's a good movie in here somewhere, but it's beset with too many obligations, and maybe too much in the way of expectations…

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Review of The Strangers (1998)

By Adam Nayman (350) for The Ringer (285) on 09 Mar 2018

Bertino's directorial smarts are on display from the first slow-cut montage of rural homes glimpsed from the window of a moving car…

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Review of The Death of Stalin (2017)

By Adam Nayman (350) for The Ringer (285) on 08 Mar 2018

As long as The Death of Stalin is sticking it to the hypocrites in the Kremlin-mocking their vanity, pride, and other deadly sins-it's got…

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