Movie Reviews Published by The Playlist - Page 32 of 194

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Review of Compartment No. 6 (2021)

By Elena Lazic (92) for The Playlist (3,871) on 12 Jul 2021

Compartment No.6 is at its best when it unveils the gap between its characters’ true identities and the parts that they choose to play…

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Review of The Velvet Underground (2021)

By Rodrigo Perez (382) for The Playlist (3,871) on 12 Jul 2021

The VU feels like it’s told from the perspective of the band members and is always veering far away from talking-head doc standards…

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Review of Drive My Car (2021)

By Gregory Ellwood (229) for The Playlist (3,871) on 11 Jul 2021

Despite what may initially seem to be a somewhat straightforward contemporary drama, Hamaguchi has crafted a rich, skilfully layered masterwork…

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Review of Val (2021)

By Charles Bramesco (223) for The Playlist (3,871) on 11 Jul 2021

Scott and Poo have seized on one substantive idea in their portraiture of a singular personality reduced to a caricature of himself by posterity…

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Review of Val (2021)

By Charles Bramesco (223) for The Playlist (3,871) on 11 Jul 2021

Scott and Poo have seized on one substantive idea in their portraiture of a singular personality reduced to a caricature of himself by posterity…

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Review of Flag Day (2021)

By Caroline Tsai (12) for The Playlist (3,871) on 11 Jul 2021

The Penn father-daughter duo undoubtedly brings an air of authenticity to the Vogels’ relationship, which is wonderful at its best and tragic…

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Review of Mothering Sunday (2021)

By Caroline Tsai (12) for The Playlist (3,871) on 11 Jul 2021

A thoughtful if occasionally melodramatic reflection on the nature of grief…

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Review of After Yang (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 09 Jul 2021

Poignant and poetic, After Yang is a soulful and heartbreaking meditation on impermanence full of poignant wonder and riches of human grace…

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Review of Benedetta (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 09 Jul 2021

If Benedetta is a joke that Verhoeven is in on, and that is designed to play to those in on it too, we can at least be thankful that it’s…

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Review of Stillwater (2021)

By Caroline Tsai (12) for The Playlist (3,871) on 09 Jul 2021

It feels like a Frankenstein’s monster of at least two movies awkwardly combined—and perhaps a short, about French theater—riddled with…

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Review of The Souvenir: Part II (2021)

By Carlos Aguilar (278) for The Playlist (3,871) on 09 Jul 2021

A masterwork of self-introspection through the canvas of cinema, The Souvenir: Part II is a meta epic of delicate proportions that constantly…

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Review of Fear Street: 1994 (2021)

By Anya Stanley (15) for The Playlist (3,871) on 08 Jul 2021

It warms the coldest of hearts to see an adaptation that not only seizes the spirit of the source material but provides a potentially formative…

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Review of America: The Motion Picture (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 07 Jul 2021

America: The Motion Picture only works in fits and starts, more a series of discrete parodies than coherent film…

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Review of Annette (2021)

By Rodrigo Perez (382) for The Playlist (3,871) on 06 Jul 2021

It’s an odd film and a fascinating one—narratively simplistic, artistically complex—at times ravishing and then puzzling, much like the…

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Review of The Tomorrow War (2021)

By Nick Allen (397) for The Playlist (3,871) on 01 Jul 2021

Blockbuster movies are often as loud and action-based as The Tomorrow War, but they’re rarely as diverse in tone or so delightfully wild…

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Review of The Misfits (2021)

By Asher Luberto (79) for The Playlist (3,871) on 30 Jun 2021

If you’re in the mood for an action flick without imagination, then The Misfits is the film for you…

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Review of The Forever Purge (2021)

By Nick Allen (397) for The Playlist (3,871) on 30 Jun 2021

Gout’s entry should be a victory lap for this relatively often dumb and dirty treatise on all that’s wrong with America, especially one…

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Review of Black Widow (2021)

By Rodrigo Perez (382) for The Playlist (3,871) on 29 Jun 2021

Black Widow is mostly an entertaining and adequate tribute to Natasha Romanoff, Black Widow, and Scarlett Johannson’s time in the Marvel…

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Review of The Ice Road (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 29 Jun 2021

The Ice Road is a serviceable, if incredibly convoluted, addition to a recent run of bland action movies that ask the actor to do the bare…

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Review of Good on Paper (2021)

By Lauren Coates (3) for The Playlist (3,871) on 23 Jun 2021

The film is self-aware enough to understand that it shouldn’t be trying to reinvent the wheel, and the result is a perfectly serviceable…

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