Movie Reviews Published by The Playlist - Page 13 of 194

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Review of White Noise (2022)

By Jessica Kiang (522) for The Playlist (3,871) on 02 Sep 2022

Mostly, watching these characters tease out their problems is fun but from a far remove, and satire at such a safe distance starts not to really…

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Review of I Came By (2022)

By Nick Allen (397) for The Playlist (3,871) on 02 Sep 2022

The anger within this movie becomes muted along with its thrills…

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Review of Burial (2022)

By Warren Cantrell (31) for The Playlist (3,871) on 02 Sep 2022

Clean narrative lines, top-notch production design, great acting, and Hollywood-grade cinematography and lighting elevate Burial above what…

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Review of Burial (2022)

By Warren Cantrell (31) for The Playlist (3,871) on 02 Sep 2022

Clean narrative lines, top-notch production design, great acting, and Hollywood-grade cinematography and lighting elevate Burial above what…

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Review of Athena (2022)

By Marshall Shaffer (93) for The Playlist (3,871) on 02 Sep 2022

Especially after the film’s stunning conclusion, Athena is destined to leave jaws on the floor and heart rates significantly elevated long…

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Review of Burial (2022)

By Warren Cantrell (31) for The Playlist (3,871) on 02 Sep 2022

Clean narrative lines, top-notch production design, great acting, and Hollywood-grade cinematography and lighting elevate Burial above what…

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Review of White Noise (2022)

By Jessica Kiang (522) for The Playlist (3,871) on 02 Sep 2022

Mostly, watching these characters tease out their problems is fun but from a far remove, and satire at such a safe distance starts not to really…

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Review of Bones and All (2022)

By Jack King (15) for The Playlist (3,871) on 02 Sep 2022

For all of the blood, guts, and gore, for all of the stomach-cramming gluttony, here’s a story brimming with extraordinary romanticism…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Jack King (15) for The Playlist (3,871) on 01 Sep 2022

For all of the visual treats on display and for the moving moments that are better left unspoiled, nobody thought to withhold this director’s…

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Review of TÁR (2022)

By Jack King (15) for The Playlist (3,871) on 01 Sep 2022

Though not without its blemishes, here’s a timely — and, indeed, timeless — piece about the corrupting essence of power, exploitation,…

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Review of Riotsville, USA (2022)

By Warren Cantrell (31) for The Playlist (3,871) on 25 Aug 2022

Somewhat ironically, like the social unrest that underpins much of the footage featured in Riotsville, U.S.A., the documentary is well-intentioned…

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Review of The Immaculate Room (2022)

By Oliver Weir (9) for The Playlist (3,871) on 19 Aug 2022

Make no mistake, Bosworth and Hirsch give their all in this film, but no amount of fiery insult-slinging or saccharine ‘How we first met’…

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Review of Orphan: First Kill (2022)

By Marshall Shaffer (93) for The Playlist (3,871) on 19 Aug 2022

Orphan: First Kill only merits viewing if it is a viewer’s first exposure to the series…

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Review of Look Both Ways (2022)

By Marya E. Gates (65) for The Playlist (3,871) on 17 Aug 2022

That this catastrophe is director Wanuri Kahiu’s follow-up after her sublime debut “Rafiki” makes it all the more disappointing…

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Review of Day Shift (2022)

By Nick Allen (397) for The Playlist (3,871) on 15 Aug 2022

The story might play out like a missed opportunity in some ways, as it’s staggering that a movie in which Jamie Foxx fights vampires can…

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Review of Prey (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 03 Aug 2022

It’s a classic “Predator” film in many ways, subverting the paradigm slightly by featuring a new context: a Native American female warrior…

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Review of Prey (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 03 Aug 2022

It’s a classic “Predator” film in many ways, subverting the paradigm slightly by featuring a new context: a Native American female warrior…

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Review of Mija (2022)

By Christian Gallichio (84) for The Playlist (3,871) on 03 Aug 2022

Adopting a fly-on-the-wall approach that prioritizes Muñoz’s subjectivity — sometimes to a fault — Mija is nevertheless a personal and…

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Review of Bullet Train (2022)

By Jason Bailey (832) for The Playlist (3,871) on 02 Aug 2022

This is not the return to form Leitch needs, and that’s mostly because the well-crafted fight scenes are surrounded by so much other nonsense…

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Review of Not Okay (2022)

By Marshall Shaffer (93) for The Playlist (3,871) on 29 Jul 2022

Shephard’s film is a half-baked thinkpiece on cancel culture in search of a plausible narrative…

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