Movie Reviews Published by The Patriot Ledger - Page 36 of 37

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Review of Mud (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

Andrew Dominik's follow-up to 'The Assassination of Jesse James by the Coward Robert Ford' too often fails to engage with its uneven mix of…

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Review of The Place Beyond the Pines (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

A huge leap forward for Cianfrance, who is rapidly distinguishing himself as a true auteur…

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Review of Side Effects (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

It's the nuances that lift it into the upper echelon, especially the subtle way it poses questions about our growing dependence on psychopharmaceuticals…

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Review of Life of Pi (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

Some of the most gorgeous 3D images this side of 'Avatar…

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Review of A Good Day to Die Hard (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

The story devolves into little more than mindless action sequences in which the trills are cheap and the production values even cheaper…

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Review of Warm Bodies (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

A wildly imaginative redressing of 'Romeo and Juliet' in stylish zombie clothing…

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Review of The Sapphires (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

The mood is so charming and the music so inspiring that you continually cut it a break…

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Review of The Sessions (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

What stirs you most is the effortless way Hawkes is able to convey Mark's compassion for people far more fortunate than himself…

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Review of Lincoln (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

Spielberg's 'Lincoln' burns itself into your memory like no other film about American politics…

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Review of Renoir (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

You'll never look at a Renoir work the same way again, whether it's on a canvas or, in the case of Jean, celluloid…

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Review of Silver Linings Playbook (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

One of the most pleasurably offbeat experiences since the Philadelphia Eagles last enjoyed a winning season…

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Review of Cloud Atlas (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

It's kind of fascinating to watch a vaunted Oscar quartet embarrass itself under the delusion that it's communicating something IMPORTANT…

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Review of Admission (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

With Fey's name attached, you expect more than yet another Hollywood film that puts an over-eager career woman in her place…

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Review of Trance (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

At least the film looks great, but without much of a spark, 'Trance' can only make you sleepy - very sleepy…

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Review of Pain & Gain (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

That it comes from Michael Bay could well be its greatest asset - and its biggest liability, depending on how you feel about the 'Transformers…

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Review of Django Unchained (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

Tarantino slyly takes the dirty diaper that is slavery in America and rubs it in our face…

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Review of 42 (2013)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

Writer-director Brian Helgeland never balks in letting us experience the ugliness of racism over and over, as Robinson forces himself to bite…

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Review of Flight (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

About all the film accomplishes is instilling a fear that the next time you fly, your pilot might be an irresponsible lush…

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Review of A Late Quartet (2012)

By Al Alexander (533) for The Patriot Ledger (721) on 12 May 2013

A classical-music ensemble rosins up the bull in a tone-deaf melodrama that loves its musical metaphors almost has much as it adores afternoon soaps…

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