Movie Reviews Published by The Observer (UK) - Page 16 of 42

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Review of The Boss Baby: Family Business (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 24 Oct 2021

The pro-family, anti-tech messaging is designed to play to the parents, but while not entirely unwatchable, the film’s demented levels of…

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Review of Dear Evan Hansen (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 24 Oct 2021

It’s the cinema equivalent of rubbing cut onions in the eyes of the audience: film-making that is cynically and artificially engineered to…

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Review of Venom: Let There Be Carnage (2021)

By Simran Hans (401) for The Observer (UK) (826) on 17 Oct 2021

In an improvement on the film’s predecessor, director Andy Serkis dispenses with detailed explanations and instead amps up the humour, leaning…

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Review of Ron's Gone Wrong (2021)

By Simran Hans (401) for The Observer (UK) (826) on 17 Oct 2021

The debut feature from animation studio Locksmith is cute but familiar…

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Review of The Last Duel (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 17 Oct 2021

Despite a spirited performance from Comer and an impressive roster of supporting turns (including a scene-stealing Harriet Walter as Jean’s…

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Review of The Velvet Underground (2021)

By Simran Hans (401) for The Observer (UK) (826) on 16 Oct 2021

A more conventional director might have chosen to focus on their most famous member, Reed, but Haynes smartly structures the film as a group…

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Review of The Man Who Sold His Skin (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 15 Oct 2021

Provocative and challenging, if not the most subtle piece of political commentary, the film certainly cements Kaouther Ben Hania as a name…

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Review of The Green Knight (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 15 Oct 2021

If the result sends viewers scuttling back to Armitage’s uniquely accessible version of the source text, then that would be marvellous indeed…

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Review of The Alpinist (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 14 Oct 2021

A portrait of a man who, as one of his contemporaries remarked, feels almost too comfortable on the side of a mountain…

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Review of John and the Hole (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 13 Oct 2021

While the result may not be quite as deep as the cavern at the centre of the story, it has an enticing sliver of ice at its heart…

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Review of The Addams Family 2 (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

A singularly unattractive animation style, jokes as flat as roadkill and a score that could be used as an instrument of torture are just some…

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Review of Fever Dream (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

The film’s actual pay off – the truth exhumed from this tainted earth – is ultimately not quite as satisfying as the picture’s elegantly…

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Review of Fever Dream (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

The film’s actual pay off – the truth exhumed from this tainted earth – is ultimately not quite as satisfying as the picture’s elegantly…

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Review of Fever Dream (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Oct 2021

The film’s actual pay off – the truth exhumed from this tainted earth – is ultimately not quite as satisfying as the picture’s elegantly…

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Review of No Time to Die (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 04 Oct 2021

This is where the film slips up…

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Review of Never Rarely Sometimes Always (2020)

By Mark Kermode (1,002) for The Observer (UK) (826) on 29 Sep 2021

Perfectly pitched and sensitively played, this is truthful, powerful and profoundly moving fare from a film-maker at the very top of her game…

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Review of The Many Saints of Newark (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 25 Sep 2021

It’s undeniably entertaining stuff, but this choppy collage-style portrait of the formative figures in the life of the young Tony Soprano…

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Review of Rose Plays Julie (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 23 Sep 2021

There’s a strong element of Greek tragedy underpinning Rose Plays Julie…

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Review of My Name Is Pauli Murray (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 23 Sep 2021

This thorough and informative documentary, from the team behind RBG, shines a light on a brilliant and uncompromising firebrand who paved the…

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Review of Prisoners of the Ghostland (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 23 Sep 2021

It’s almost worth watching just for the way that Cage delivers the word “testicle”: it sounds as though all the syllables got caught…

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