Movie Reviews Published by The New York Times - Page 73 of 493

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Review of Moxie (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 03 Mar 2021

Unfocused and too often unbelievable, Amy Poehler’s Moxie feels like a battle between two competing visions: go-girl crowd-pleaser and serious…

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Review of Biggie: I Got a Story to Tell (2021)

By Jon Caramanica (13) for The New York Times (9,847) on 02 Mar 2021

Maybe half of the film is about his music career, and of that, not much at all is devoted to his commercial prime…

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Review of Tom & Jerry (2021)

By Jason Bailey (832) for The New York Times (9,847) on 26 Feb 2021

The de rigueur slapstick scenes for the title characters don’t even play, as the integration of animation and live action is so clunky that…

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Review of The United States vs. Billie Holiday (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 25 Feb 2021

Like nearly everything else in this feverish, frustrating movie, the political themes are handled with maximal melodrama and minimal clarity…

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Review of Crisis (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 25 Feb 2021

The film is well-paced but often strains credulity…

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Review of The Father (2020)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 25 Feb 2021

At once stupendously effective and profoundly upsetting, The Father might be the first movie about dementia to give me actual chills…

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Review of Crisis (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 25 Feb 2021

The film is well-paced but often strains credulity…

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Review of Crisis (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 25 Feb 2021

The film is well-paced but often strains credulity…

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Review of Billie Eilish: The World's a Little Blurry (2021)

By Jon Caramanica (13) for The New York Times (9,847) on 25 Feb 2021

“Blurry” isn’t triumphant, strictly speaking. Instead, it relies on the accretive power of the mundane…

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Review of Cherry (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 25 Feb 2021

Whether they’re comfortable owning up to it or not, the Russos are better moviemakers than their Marvel movies (the most recent of which…

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Review of Pelé (2021)

By Nicolas Rapold (488) for The New York Times (9,847) on 23 Feb 2021

I did yearn to see more of his talents in action; his header goal in that year’s Italy final feels cosmically liberating…

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Review of Silk Road (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 18 Feb 2021

In many respects, Silk Road is an excellent examination of why you should probably never date, or maybe even socialize with, a libertarian…

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Review of Test Pattern (2021)

By Devika Girish (70) for The New York Times (9,847) on 18 Feb 2021

Test Pattern achieves a lot with very little: The film’s nonlinear editing and cannily scored silences invite our interpretations, locating…

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Review of I Care a Lot (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 18 Feb 2021

An unexpectedly gripping thriller that seesaws between comedy and horror, I Care a Lot is cleverly written (by the director, J Blakeson) and…

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Review of Flora & Ulysses (2021)

By Maya Phillips (33) for The New York Times (9,847) on 18 Feb 2021

Flora & Ulysses veers close to falling into the trap of cheesiness that kids’ movies of this genre often find themselves in, but miraculously…

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Review of Shook (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 18 Feb 2021

Shook is done in by its final reveal, which manages to be simultaneously improbable and conventional…

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Review of Nomadland (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 18 Feb 2021

Nomadland is patient, compassionate and open, motivated by an impulse to wander and observe rather than to judge or explain…

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Review of Shook (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 18 Feb 2021

Shook is done in by its final reveal, which manages to be simultaneously improbable and conventional…

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Review of Minari (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 12 Feb 2021

Minari is modest, specific and thrifty, like the lives it surveys…

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Review of Lapsis (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 12 Feb 2021

The narrative eventually loses steam, but the movie’s politics remain as low-key as its acting and as basic as its special effects…

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