Movie Reviews Published by The New York Times - Page 51 of 493

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Review of They Say Nothing Stays the Same (2019)

By Nicolas Rapold (488) for The New York Times (9,847) on 13 Nov 2021

The landscape can go only so far in expressing Toichi’s mind-set, and the movie turns hokey when it dramatizes Toichi’s inner thoughts…

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Review of Night Raiders (2021)

By Devika Girish (70) for The New York Times (9,847) on 12 Nov 2021

Goulet’s sleek, lo-fi world-building — decrepit gray cityscapes; fields covered with smoke-spewing factories — is more compelling than…

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Review of 3212 Un-redacted (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 12 Nov 2021

The lack of labeling only raises questions, slightly marring what otherwise plays like a thorough, outraged exposé…

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Review of Belfast (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 11 Nov 2021

Branagh’s remembrances may be idealized, but with Belfast he has written a charming, rose-tinted thank-you note to the city that sparked…

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Review of Julia (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 11 Nov 2021

Julia is an apt tribute to a life well-lived and well-fed…

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Review of Red Notice (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 11 Nov 2021

Uninterested in world building or creating any sense of stakes, Red Notice is merely an expensive brandishing of star power — only the stars…

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Review of Paper & Glue (2021)

By Lisa Kennedy (833) for The New York Times (9,847) on 11 Nov 2021

In 2017, JR was half of the delightful tag-team of “Faces Places,” the Oscar-nominated documentary he and the groundbreaking director Agnès…

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Review of Cusp (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 11 Nov 2021

A portrait of modern girlhood, this documentary ultimately becomes a bleak look at the normalization of sexual abuse among the very victimized…

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Review of Passing (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 11 Nov 2021

Together with Thompson and Negga, Hall hauntingly brings to life characters forced to exist in that “not entirely friendly” space, with…

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Review of Home Sweet Home Alone (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 11 Nov 2021

Who’s the real victim here? The audience — yet Kemper’s no-nonsense pixie who suffers a dozen thumbtacks to the face runs a close second…

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Review of Mayor Pete (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 11 Nov 2021

Showing Buttigieg at one public appearance after another, “Mayor Pete” more often plays like outtakes from the trail than an inside glimpse…

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Review of What Do We See When We Look at the Sky? (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 11 Nov 2021

Pleasing, exasperating, poignant and coy, “What Do We See” is a loose, exceedingly leisurely meander through a series of momentous and…

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Review of Passing (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 11 Nov 2021

Together with Thompson and Negga, Hall hauntingly brings to life characters forced to exist in that “not entirely friendly” space, with…

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Review of 7 Prisoners (2021)

By Isabelia Herrera (4) for The New York Times (9,847) on 11 Nov 2021

Rather than being a simple examination of a social problem, the film excels at excavating the deep-rooted, sprawling violence that affects…

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Review of Love Is Love Is Love (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 11 Nov 2021

The cumulative effect of so much enlightened sitting around is that the movie doesn’t move…

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Review of Clifford the Big Red Dog (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 10 Nov 2021

Genuine sweetness can be found in Emily’s fidelity to her rowdy new best friend…

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Review of Beans (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 08 Nov 2021

This is the first fictional film directed by the documentarian Tracey Deer, and she brings a good eye for which characters might make a compelling…

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Review of Beans (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 08 Nov 2021

This is the first fictional film directed by the documentarian Tracey Deer, and she brings a good eye for which characters might make a compelling…

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Review of A Cop Movie (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 05 Nov 2021

Ambitious, heady and distinctive, if easier to admire in theory than engage with moment to moment, A Cop Movie has a conceptual strangeness…

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Review of Love Hard (2021)

By Concepción De León (22) for The New York Times (9,847) on 05 Nov 2021

In presenting a female character who is attractive, but bereft of substance, the movie subverts its own premise…

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