Movie Reviews Published by The New York Times - Page 5 of 493

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Review of World's Best (2023)

By Amy Nicholson (961) for The New York Times (9,847) on 27 Jun 2023

What works is the high energy, kooky cast who fling themselves into the carefree choreography — especially Magnus, a mugging, contagious delight…

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Review of Taylor Mac's 24-Decade History of Popular Music (2023)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 27 Jun 2023

We do see some of the audience participation, which was an integral part of the show, but we don’t hear from attendees…

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Review of The Perfect Find (2023)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 23 Jun 2023

Good thing Union steers The Perfect Find with such sunny warmth and relatable poise, too, because the director, Numa Perrier, and screenwriter,…

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Review of Surrounded (2023)

By Glenn Kenny (1,728) for The New York Times (9,847) on 22 Jun 2023

Wright’s lean, long face is sometimes all hard angles, and she enacts the largely stoic mien of her character with weight…

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Review of Here. Is. Better. (2023)

By Brandon Yu (32) for The New York Times (9,847) on 22 Jun 2023

The documentary, directed by Jack Youngelson, is about the slow, difficult work of reaching out, opening up and eventually finding a glimmer…

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Review of Desperate Souls, Dark City and the Legend of Midnight Cowboy (2023)

By Ben Kenigsberg (863) for The New York Times (9,847) on 22 Jun 2023

“Desperate Souls” convincingly argues that there’s no other time at which Joe Buck (Jon Voight) and Ratso Rizzo (Dustin Hoffman) could…

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Review of God Is a Bullet (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 22 Jun 2023

The misogyny of the movie’s risibly sadistic villains is only one distasteful thread in this sleazy saga of rescue and revenge…

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Review of The Stroll (2023)

By Devika Girish (70) for The New York Times (9,847) on 22 Jun 2023

If The Stroll is an indictment and elegy, it is also a remarkable document of the self-determination of the women and workers who learned,…

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Review of All Man: The International Male Story (2023)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 22 Jun 2023

Admittedly, the film is more dutiful than artful, ticking one box after another, a tendency that is especially obvious when it ventures to…

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Review of Horseplay (2023)

By Kyle Turner (65) for The New York Times (9,847) on 22 Jun 2023

Horseplay is less an acutely mapped-out anthropological study into toxic masculinity and pervasive homophobia and misogyny, and more like having…

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Review of The Country Club (2023)

By Calum Marsh (242) for The New York Times (9,847) on 22 Jun 2023

These visual flourishes, while derivative, are charming and well-realized…

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Review of No Hard Feelings (2023)

By Glenn Kenny (1,728) for The New York Times (9,847) on 21 Jun 2023

Lawrence is a consistently incandescent screen presence, and her role lets her run through her greatest performative hits, so to speak…

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Review of Take Care of Maya (2023)

By Natalia Winkelman (145) for The New York Times (9,847) on 20 Jun 2023

Take Care of Maya is grueling, but it is also oddly deficient, wanting for the precision and perspective essential to deriving insight from…

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Review of Stan Lee (2023)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Jun 2023

It’s disappointing, yet inevitable that the creation story of Lee gives way to the characters he helped create…

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Review of Elemental (2023)

By Amy Nicholson (961) for The New York Times (9,847) on 15 Jun 2023

The staggering design ambition balances out the plot’s affecting, relatable ordinariness…

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Review of The Flash (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 15 Jun 2023

I liked The Flash well enough while watching it…

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Review of Asteroid City (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 15 Jun 2023

It’s comic and often wry, but like some of his other films, it has the soul of a tragedy…

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Review of Maggie Moore(s) (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 15 Jun 2023

Top-heavy with big names (Tina Fey, Jon Hamm) and set in a nondescript small town populated primarily by sad sacks and losers, the movie struggles…

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Review of The Blackening (2023)

By Lisa Kennedy (833) for The New York Times (9,847) on 15 Jun 2023

The Blackening comes with a horror movie’s requisite skittish and stalking camerawork, its creaks and breath-holding hushes, its gore and…

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Review of Extraction 2 (2023)

By Robert Daniels (336) for The New York Times (9,847) on 15 Jun 2023

Burdened by its bluster, Extraction 2 is merely a loud, blithering mess masquerading as fulfilling escapism…

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