Movie Reviews Published by The New York Times - Page 486 of 493

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Review of Skin Game (1971)

By Roger Greenspun (46) for The New York Times (9,847) on 19 Jul 1978

Garner and Gossett seem like originals out of American humor, and in a better movie they might have continued that way…

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Review of Phantom of the Paradise (1974)

By Vincent Canby (762) for The New York Times (9,847) on 03 Apr 1978

Phantom of the Paradise is an elaborate disaster, full of the kind of facetious humor you might find on bumper stickers and cocktail coasters…

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Review of Mighty Joe Young (1949)

By T.m.p. (3) for The New York Times (9,847) on 01 Mar 1978

The wonder of Mighty Joe Young is the mobility of the mechanical star, but even that novelty wears thin after a while…

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Review of Mr. Smith Goes to Washington (1939)

By Frank S. Nugent (43) for The New York Times (9,847) on 08 Feb 1978

[Capra] has paced it beautifully and held it in perfect balance, weaving his romance lightly through the political phases of his comedy, flicking…

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Review of For the Love of Benji (1977)

By Lawrence Van Gelder (123) for The New York Times (9,847) on 05 Feb 1978

The card announcing the film's G rating was roundly booed by the youngsters though at almost every sight of the dog they screamed with mouth-filled…

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Review of That's Entertainment, Part II (1976)

By Vincent Canby (762) for The New York Times (9,847) on 23 Jan 1978

Part 2 has been compiled with the kind of intelligence and affection that allow us to get some purchase on the Hollywood history made by M-G-M…

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Review of Cabaret (1972)

By Roger Greenspun (46) for The New York Times (9,847) on 22 Sep 1977

Cabaret is one of those immensely gratifying imperfect works in which from beginning to end you can literally feel a movie coming to life…

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Review of Little Miss Marker (1934)

By Mordaunt Hall (64) for The New York Times (9,847) on 08 Jun 1977

Tiny Shirley Temple is a joy to behold and her spontaneity and cheer in speaking her lines are nothing short of amazing…

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Review of Citizen Kane (1941)

By Bosley Crowther (448) for The New York Times (9,847) on 07 Jun 1977

In spite of some disconcerting lapses and strange ambiguities in the creation of the principal character, Citizen Kane is far and away the…

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Review of Futureworld (1976)

By Richard Eder (21) for The New York Times (9,847) on 21 May 1977

A film about robots and, evidently, for robots. It is as much fun as running barefoot through Astroturf…

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Review of Camelot (1967)

By Bosley Crowther (448) for The New York Times (9,847) on 13 May 1977

What it basically needed in its transfer to the screen was a drenching in cinema magic to remove all the dull and pretentious patches of realism…

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Review of Voyage to the Bottom of the Sea (1961)

By Howard Thompson (56) for The New York Times (9,847) on 14 Apr 1977

Good color, handsome photographic effects and a submarine to end them all make Voyage to the Bottom of the Sea a mildly diverting but far from…

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Review of The Young Racers (1963)

By Howard Thompson (56) for The New York Times (9,847) on 26 Mar 1977

Somehow, as the film progresses, its superficial protagonists grow more complex and assume added dimensions, until they unexpectedly emerge…

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Review of A Fine Madness (1966)

By Bosley Crowther (448) for The New York Times (9,847) on 06 Mar 1977

Like its careening, footloose hero, A Fine Madness needs discipline. But you'll never guess what lurks around the bend, from gold to brass…

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Review of The Heartbreak Kid (1972)

By Vincent Canby (762) for The New York Times (9,847) on 21 Feb 1977

The Heartbreak Kid occasionally goes for laughs without shame (which is what has always bothered me about Simon's brand of New York comedy),…

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Review of Getting Straight (1970)

By Roger Greenspun (46) for The New York Times (9,847) on 16 Jan 1977

A brilliant, mercurial performance by Elliott Gould steadies and vivifies but cannot save Getting Straight…

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Review of Logan's Run (1976)

By Vincent Canby (762) for The New York Times (9,847) on 18 Dec 1976

Logan's Run is less interested in logic than in gadgets and spectacle, but these are sometimes jazzily effective and even poetic…

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Review of Robin Hood (1973)

By Vincent Canby (762) for The New York Times (9,847) on 17 Dec 1976

The visual style is charmingly conventional, as gently reassuring as that of a Donald Duck cartoon, sometimes as romantically pretty as an…

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Review of Farewell, My Lovely (1975)

By Richard Eder (21) for The New York Times (9,847) on 27 Nov 1976

It's as if someone had put pillow springs, power-steering and a tape deck into a classic racing-car…

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Review of Operation Crossbow (1965)

By Bosley Crowther (448) for The New York Times (9,847) on 14 Aug 1976

It is a grandly engrossing and exciting melodrama of wartime espionage, done with stunning documentary touches in a tight, tense, heroic story line…

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