Movie Reviews Published by The New York Times - Page 413 of 493

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Review of Pearl Harbor (2001)

By Dana Stevens (1,435) for The New York Times (9,847) on 16 Jan 2007

Works best as a bang-and- boom action picture, a loud symphony of bombardment and explosion juiced up with frantic editing and shiny computer-generated…

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Review of National Treasure (2004)

By Stephen Holden (1,707) for The New York Times (9,847) on 14 Jan 2007

If National Treasure mattered at all, you might call it a national disgrace, but this piece of flotsam is so inconsequential that it amounts…

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Review of Friday Night Lights (2004)

By Dana Stevens (1,435) for The New York Times (9,847) on 10 Jan 2007

Uplifting and troubling, partly because it is more honest than most sports movies about the high cost and short life span of high school football…

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Review of The New World (2005)

By Manohla Dargis (1,909) for The New York Times (9,847) on 08 Jan 2007

If the affair seems strangely ethereal, as if it were taking place in another dimension, in a lovelier, more enchanted realm, it is because…

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Review of Curious George (2006)

By Lawrence Van Gelder (123) for The New York Times (9,847) on 07 Jan 2007

With top-drawer voice talent including Joan Plowright and Dick Van Dyke, original songs by Jack Johnson, and old-fashioned two-dimensional…

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Review of Some Like It Hot (1959)

By A.h. Weiler (53) for The New York Times (9,847) on 03 Jan 2007

Let's face it. Two hours is too long a time to harp on one joke. But Billy Wilder, who produced, directed and collaborated with I. A. L…

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Review of The Tic Code (1998)

By Stephen Holden (1,707) for The New York Times (9,847) on 03 Jan 2007

Like most movies that examine specific ailments, this gawky, occasionally touching film has the feel of a dramatized case history whose purpose…

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Review of A Goofy Movie (1995)

By Stephen Holden (1,707) for The New York Times (9,847) on 31 Dec 2006

A Goofy Movie is engaging in its mild-mannered way, but the story is too rambling and emotionally diffuse for the title character to come fully alive…

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Review of The Basket (2000)

By Stephen Holden (1,707) for The New York Times (9,847) on 31 Dec 2006

Avoids succumbing to the preachiness that is the bane of so many family films, and for a movie like this, that's no small feat…

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Review of Angel Eyes (2001)

By Stephen Holden (1,707) for The New York Times (9,847) on 25 Dec 2006

The product is so synthetic it has only attitude where its heart ought to be…

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Review of Bounce (2000)

By Stephen Holden (1,707) for The New York Times (9,847) on 20 Dec 2006

Bounce may be far from a great film, but its pleasures are consistent enough to remind you of how few movies nowadays come anywhere close to…

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Review of Cool Runnings (1993)

By Janet Maslin (949) for The New York Times (9,847) on 19 Dec 2006

A cute, buoyant sports fantasy, jolted along by a reggae soundtrack and playfully acted by an appealing cast…

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Review of The Marine (2006)

By Nathan Lee (205) for The New York Times (9,847) on 17 Dec 2006

Co-starring as Rome, the ringleader with intimacy issues, Robert Patrick appears to be enjoying himself. That makes one of us…

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Review of Sweet Home Alabama (2002)

By Stephen Holden (1,707) for The New York Times (9,847) on 16 Dec 2006

If Sweet Home Alabama, directed by Andy Tennant from a screenplay by C…

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Review of Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

By Manohla Dargis (1,909) for The New York Times (9,847) on 16 Dec 2006

The brilliance of Borat is that its comedy is as pitiless as its social satire, and as brainy…

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Review of The Black Stallion (1979)

By Janet Maslin (949) for The New York Times (9,847) on 07 Dec 2006

For all its pretty glimpses of the desert island, the film never offers a clear, overall sense of what the place looks like; neither the camera…

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Review of Terminator 3: Rise of the Machines (2003)

By Dana Stevens (1,435) for The New York Times (9,847) on 06 Dec 2006

For all the hype and the inevitable box office bonanza, Terminator 3 is essentially a B movie, content to be loud, dumb and obvious…

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Review of Heartbreakers (2001)

By Dana Stevens (1,435) for The New York Times (9,847) on 05 Dec 2006

Naughty is an outdated word in an era of proud nastiness, but Heartbreakers has a slinky, teasing quality that recalls the dressed-up comedies…

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Review of Rhythm 'n' Bayous: A Road Map to Louisiana Music (2001)

By Stephen Holden (1,707) for The New York Times (9,847) on 04 Dec 2006

Documents of a flourishing below-the-radar culture, often involving older musicians who won't be around much longer, they are archival records…

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Review of LOL (2006)

By Nathan Lee (205) for The New York Times (9,847) on 01 Dec 2006

Authentic in texture if narrow in scope, LOL is a movie about the way we live -- or rather about the way white, urban, heterosexual circuit…

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