Movie Reviews Published by The New York Times - Page 15 of 493

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Review of The Wandering Earth II (2023)

By Brandon Yu (32) for The New York Times (9,847) on 22 Jan 2023

Losing all of the glee of its predecessor, the movie instead offers nearly three hours of convoluted story lines, undercooked themes and a…

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Review of Only in Theaters (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 21 Jan 2023

Ultimately the movie is as scattershot as it is enthusiastic…

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Review of The Seven Faces of Jane (2023)

By Teo Bugbee (199) for The New York Times (9,847) on 21 Jan 2023

The consistency limits the ability of the directors to lean into their own style, leading to a movie that feels narratively scattered and stylistically…

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Review of When You Finish Saving the World (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 Jan 2023

Eisenberg has already proven himself a smart wordsmith and a knowing performer of emotional unease, but this “World” is a disappointingly…

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Review of Missing (2023)

By Amy Nicholson (961) for The New York Times (9,847) on 19 Jan 2023

Missing captures the constant distractions of the modern age. Pop-up windows continually tug at June’s attention…

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Review of Alice, Darling (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 19 Jan 2023

The larger problem is that there’s not enough here — in story terms or in the filmmaking — to sustain even the movie’s 90 minutes…

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Review of Dog Gone (2023)

By Amy Nicholson (961) for The New York Times (9,847) on 13 Jan 2023

Even viewers with a tolerance for this kind of saccharine cinema — oversaturated green grass, slow-motion sprinting, kindly biker gangs,…

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Review of House Party (2023)

By Brandon Yu (32) for The New York Times (9,847) on 13 Jan 2023

Like any rager gone south, the buzz is fun early on, until it’s suddenly too much, the house is overrun, and the room starts spinning…

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Review of House Party (2023)

By Brandon Yu (32) for The New York Times (9,847) on 13 Jan 2023

Like any rager gone south, the buzz is fun early on, until it’s suddenly too much, the house is overrun, and the room starts spinning…

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Review of Plane (2023)

By Glenn Kenny (1,728) for The New York Times (9,847) on 12 Jan 2023

Plane” sinks (or rises, depending on your perspective) to “hell yeah” ridiculousness only at the end, delivering a punchline that lands…

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Review of Skinamarink (2023)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 12 Jan 2023

Ingeniously evoking a child’s response to the inexplicable, Skinamarink sways on the border between dreaming and wakefulness, a movie as…

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Review of What Remains (2022)

By Brandon Yu (32) for The New York Times (9,847) on 09 Jan 2023

Even as a Lifetime-esque soap, What Remains sputters, lacking any of the sensational twists to allow itself to sink into enjoyable pulp…

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Review of What Remains (2024)

By Brandon Yu (32) for The New York Times (9,847) on 09 Jan 2023

Even as a Lifetime-esque soap, What Remains sputters, lacking any of the sensational twists to allow itself to sink into enjoyable pulp…

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Review of What Remains (2022)

By Brandon Yu (32) for The New York Times (9,847) on 09 Jan 2023

Even as a Lifetime-esque soap, What Remains sputters, lacking any of the sensational twists to allow itself to sink into enjoyable pulp…

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Review of What remains (2022)

By Brandon Yu (32) for The New York Times (9,847) on 09 Jan 2023

Even as a Lifetime-esque soap, What Remains sputters, lacking any of the sensational twists to allow itself to sink into enjoyable pulp…

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Review of Last Resort (2023)

By Glenn Kenny (1,728) for The New York Times (9,847) on 05 Jan 2023

This endeavor might have tried the alternative title “Die Hard on a Budget,” except even that would have been hopelessly optimistic…

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Review of Candy Land (2023)

By Beatrice Loayza (94) for The New York Times (9,847) on 05 Jan 2023

Written and directed by John Swab, Candy Land is standard grindhouse fare — more serious and less conceptually adventurous than its recent…

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Review of M3GAN (2022)

By Jason Zinoman (21) for The New York Times (9,847) on 05 Jan 2023

The director Gerard Johnstone doesn’t go for elaborate suspense sequences or truly intense scares. He wants to please, not rattle…

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Review of The Old Way (2023)

By Calum Marsh (242) for The New York Times (9,847) on 05 Jan 2023

While it’s true that a certain tepid aspect is common to most B westerns, those of the ’30s and ’40s were made with a baseline competence…

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Review of Alcarràs (2022)

By Devika Girish (70) for The New York Times (9,847) on 05 Jan 2023

The film’s striking images — a girl’s made-up face, sullen amid a crowd of colorful revelers; solar panels gleaming sinisterly below…

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