Movie Reviews Published by The New Republic - Page 25 of 45

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Review of Reality (2015)

By Stanley Kauffmann (447) for The New Republic (897) on 27 Mar 2013

Garrone has a feeling for sweep and color, and he makes Luciano a pathetic victim of the unrealities with which TV can beset us…

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Review of Eden (2014)

By Stanley Kauffmann (447) for The New Republic (897) on 27 Mar 2013

A quite moving performance comes from Jamie Chung as Eden, repulsion sliding into fearful acceptance without the extinction of hope…

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Review of Eden (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 27 Mar 2013

A quite moving performance comes from Jamie Chung as Eden, repulsion sliding into fearful acceptance without the extinction of hope…

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Review of Eden (2014)

By Stanley Kauffmann (447) for The New Republic (897) on 27 Mar 2013

A quite moving performance comes from Jamie Chung as Eden, repulsion sliding into fearful acceptance without the extinction of hope…

Read Review

Review of Reality (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 27 Mar 2013

Garrone has a feeling for sweep and color, and he makes Luciano a pathetic victim of the unrealities with which TV can beset us…

Read Review

Review of Eden (2014)

By Stanley Kauffmann (447) for The New Republic (897) on 27 Mar 2013

A quite moving performance comes from Jamie Chung as Eden, repulsion sliding into fearful acceptance without the extinction of hope…

Read Review

Review of My Architect: A Son's Journey (2003)

By Stanley Kauffmann (447) for The New Republic (897) on 21 Mar 2013

The son has served the father well, though he faced an odd difficulty: the architect's life was so unusual that his son's understandable absorption…

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Review of Renoir (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 11 Mar 2013

What beguiles us is the chance to be with these people at that time, by means of a picture that is so sympathetically acted and so pleasant…

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Review of Shanghai Calling (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 11 Mar 2013

Daniel Henney is personable as Sam, and Eliza Coupe is even more so as Amanda…

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Review of The Great Gatsby (1974)

By Stanley Kauffmann (447) for The New Republic (897) on 06 Mar 2013

In sum this picture is a total failure of every requisite sensibility. A long, slow, sickening bore…

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Review of K-19: The Widowmaker (2002)

By Stanley Kauffmann (447) for The New Republic (897) on 05 Mar 2013

Why did movie moguls think that this was the right moment for a tale of unflinching loyalty to the Soviet Union…

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Review of Nightcap (2000)

By Stanley Kauffmann (447) for The New Republic (897) on 05 Mar 2013

We can rejoice that he carries on, breathes his profession as his native air, makes pictures of varying quality but persistently makes them…

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Review of Like Someone in Love (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 01 Mar 2013

Like Someone in Love is directed imaginatively, is impressively acted, and is quite disappointing -- not even successful in its own way…

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Review of Chicago (1927)

By Stanley Kauffmann (447) for The New Republic (897) on 24 Feb 2013

The net effect of the incessant dazzle is depressing…

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Review of Quartet (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 07 Feb 2013

The first thing to note is that Hoffman has apparently had a grand time working with these professionals, all of whom as residents of the home…

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Review of Lore (2012)

By Stanley Kauffmann (447) for The New Republic (897) on 07 Feb 2013

Saskia Rosendahl as Lore is the sturdiest in a good cast, making her way cautiously into a new, utterly changed universe…

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Review of My Fair Lady (1964)

By Stanley Kauffmann (447) for The New Republic (897) on 06 Feb 2013

Despite all reservations expressed, I must make clear that his fantastically successful show has been converted into a generally entertaining film…

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Review of Gentleman's Agreement (1947)

By Robert Hatch (43) for The New Republic (897) on 06 Feb 2013

By dispassionate critical standards, Gentleman's Agreement is not a success. It is a tract rather than a play and it has the crusader's shortcomings…

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Review of The Seven Year Itch (1955)

By Delmore Schwartz (4) for The New Republic (897) on 23 Jan 2013

Despite the script's cleverness, the presence of Tom Ewell, who is a first rate comedian and Oscar Homolka, who has long been a first rate…

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Review of The Freshman (1925)

By Edmund Wilson (1) for The New Republic (897) on 23 Jan 2013

Lloyd has never been a very good actor; he has been a dummy for comic devices…

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