Movie Reviews Published by The New Republic - Page 13 of 45

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Review of One Eight Seven (1997)

By Stanley Kauffmann (447) for The New Republic (897) on 02 Mar 2016

The film's biggest flaw -- aside from the lapses of credibility, which are almost obligatory in escapist summer movies -- is that it flies…

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Review of Gods of Egypt (2016)

By Will Leitch (411) for The New Republic (897) on 26 Feb 2016

Gods of Egypt is a movie that requires more effort to sit through than it did to make it…

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Review of Mustang (2015)

By Elaine Teng (13) for The New Republic (897) on 18 Feb 2016

The story isn't particularly original, but Mustang's achievement is to criticize a society that sexualizes everything women do while still…

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Review of Son of Saul (2015)

By Ethan Gates (2) for The New Republic (897) on 17 Feb 2016

Formally riveting, emotionally shattering, and astonishingly confident…

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Review of Deadpool (2016)

By Will Leitch (411) for The New Republic (897) on 12 Feb 2016

Deadpool is obnoxious and puerile and infantile and has an irritating meta tone so snide that it's constantly in danger of nullifying the entire…

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Review of Zoolander 2 (2016)

By Will Leitch (411) for The New Republic (897) on 11 Feb 2016

It's surprisingly conventional, but not in a reassuring or back-to-basics way; its set ups and jokes are creaky and labored, its characters…

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Review of Pride and Prejudice and Zombies (2016)

By Tim Grierson (1,482) for The New Republic (897) on 05 Feb 2016

This is a perfect film for our mash-up/viral culture in which short, clever, easily digestible bits of entertainment are passed along giddily…

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Review of Backdraft (1991)

By Stanley Kauffmann (447) for The New Republic (897) on 29 Jan 2016

Absolutely marvelous special effects are the salvation and the curse of this movie…

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Review of Paris Blues (1961)

By Stanley Kauffmann (447) for The New Republic (897) on 27 Jan 2016

Four writers have adapted Harold Flender's novel, whose sole asset was the idea they have minimized…

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Review of Dirty Grandpa (2016)

By Will Leitch (411) for The New Republic (897) on 22 Jan 2016

It will make you feel bad for yourself, and anyone else who sees it, and anyone else who has to live in the world where it exists as a physical…

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Review of Amazing Grace (2018)

By Stanley Kauffmann (447) for The New Republic (897) on 15 Jan 2016

The dialogue is bright, historically styled yet lithe; the characterizations are graphic even with minor people…

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Review of 13 Hours: The Secret Soldiers of Benghazi (2016)

By Will Leitch (411) for The New Republic (897) on 14 Jan 2016

Bay may lack interest in basic story construction or coherent battle scenes, but the guy has a preternatural skill at evoking sensation…

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Review of Carol (1974)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

This is about two people who didn't know what their lives were until they met each other, then scrambling, in their muted, buttoned-up way,…

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Review of Anomalisa (2015)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

Anomalisa finds the sublime and the tragic and the overwhelming in the everyday. I can't stop thinking about it…

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Review of Carol (1990)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

This is about two people who didn't know what their lives were until they met each other, then scrambling, in their muted, buttoned-up way,…

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Review of The Tribe (2016)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

The movie features no music, and no words, yet some moments are so powerful and visceral that I still caught myself covering my ears…

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Review of Brooklyn (2015)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

I could have hung out with everyone in Brooklyn for hours: It's a world you won't want to leave…

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Review of Brooklyn (2015)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

I could have hung out with everyone in Brooklyn for hours: It's a world you won't want to leave…

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Review of The Tribe (2014)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

The movie features no music, and no words, yet some moments are so powerful and visceral that I still caught myself covering my ears…

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Review of Carol (2015)

By Will Leitch (411) for The New Republic (897) on 31 Dec 2015

This is about two people who didn't know what their lives were until they met each other, then scrambling, in their muted, buttoned-up way,…

Read Review

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